Jean Jacques Rousseau (1712–1778) Genevan philosopher
Second Dialogue; translated by Judith R. Bush, Christopher Kelly, Roger D. Masters
Dialogues: Rousseau Judge of Jean-Jacques (published 1782)
Source: A Countess Below Stairs
Jean Jacques Rousseau (1712–1778) Genevan philosopher
Second Dialogue; translated by Judith R. Bush, Christopher Kelly, Roger D. Masters
Dialogues: Rousseau Judge of Jean-Jacques (published 1782)
U Thant (1909–1974) 3rd Secretary-General of the United Nations
"Buddhism and the Charter" in Religion and International Affairs (1968) edited by Jeffrey Rose and Michael Ignatieff, p. 114
H. G. Wells book The War of the Worlds
Book I, Ch. 1: The Eve of the War
The War of the Worlds (1898)
Context: No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same... Yet, across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.
Washington Irving book The Sketch Book of Geoffrey Crayon, Gent.
"The Mutabilities of Literature".
The Sketch Book of Geoffrey Crayon (1819–1820)
Context: Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise, the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature. Formerly there were some restraints on this excessive multiplication. Works had to be transcribed by hand, which was a slow and laborious operation; they were written either on parchment, which was expensive, so that one work was often erased to make way for another; or on papyrus, which was fragile and extremely perishable. Authorship was a limited and unprofitable craft, pursued chiefly by monks in the leisure and solitude of their cloisters. The accumulation of manuscripts was slow and costly, and confined almost entirely to monasteries. To these circumstances it may, in some measure, be owing that we have not been inundated by the intellect of antiquity; that the fountains of thought have not been broken up, and modern genius drowned in the deluge. But the inventions of paper and the press have put an end to all these restraints. They have made everyone a writer, and enabled every mind to pour itself into print, and diffuse itself over the whole intellectual world. The consequences are alarming. The stream of literature has swollen into a torrent — augmented into a river — expanded into a sea.
“We may boldly assign him [Ossian] a place among those, whose works are to last for ages.”
James Macpherson (1736–1796) Scottish writer, poet, translator, and politician
Hugh Blair, A Critical Dissertation on the Poems of Ossian (1763), p. 75.
Criticism
Valya Dudycz Lupescu (1974) American writer
The Silence of Trees (2010)
Raymond Carver (1938–1988) American short story author and poet
Source: Where Water Comes Together with Other Water: Poems
“But youth is as a flowing stream, on whose current the shadow may rest but not remain.”
Letitia Elizabeth Landon (1802–1838) English poet and novelist
Other Gift Books
“I am that shadow on the threshold
defending my remnant peace.”
Anna Akhmatova (1889–1966) Russian modernist poet
Poem without a Hero (1963)
Context: Dread. Bottomless dread...
I am that shadow on the threshold
defending my remnant peace.