Quote from his letter to Jawlensky, early Februari 1935; as cited in 'The shape of the Future 3: Art' in Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists, by Kay Larson, Penguin 2012, p. unknown
Cage bought one of the small 'Head' paintings of Jawlensky, via his art-agent Galka E. Scheyer who showed Cage some paintings of Jawlensky early 1935, and sold his choice very cheap for 25 dollars; Cage was then 25 years old and strongly inspired by images, as he told Scheyer and wrote Jawlensky
1930s
“I believe it is important to speak to your readers in person... to enable people to have a whole picture of me; I have to both write and speak. I view my role as a writer and also as an oral communicator.”
Source: On speaking to readers in “Interview with Buchi Emecheta” http://www.emeagwali.com/nigeria/biography/buchi-emecheta-voice-09jul96.html (Philip Emeagwali)
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Buchi Emecheta 11
author 1944–2017Related quotes
Letter sent to the ECLC after Dylan received the Tom Paine Award at the Bill of Rights dinner on December 13, 1963, as reported in "Mr. Dylan Regrets" http://www.hotpress.com/Bob-Dylan/music/interviews/Mr-Dylan-Regrets/2836632.html by Niall Stokes, Hot Press (11 November 2005)
"The Art of Fiction: An Interview" (The Paris Review, Spring 1955), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 218.
“I write exactly as I speak, so therefore I would not say any writer influenced me at all.”
When asked about her influences. guardian.co.uk http://www.guardian.co.uk/books/2008/jun/10/maevebinchy
"The Shadowland of Dreams"', published in Chicken Soup for the Soul at Work (1996) by Jack Canfield, Mark Victor Hansen, Maida Rogerson, Martin Rutte and Tim Clauss; also in Alex Haley : The Man Who Traced America's Roots (2007), a collection of stories and essays by Haley published in Reader's Digest between 1954 to 1991.
Context: Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. “You’ve got to want to write,” I say to them, “not want to be a writer.”
The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.
Source: On using the setting to frame her novels in “Jesmyn Ward: ‘So much of life is pain and sorrow and wilful ignorance’” https://www.theguardian.com/books/2017/nov/12/jesmyn-ward-sing-unburied-sing-interview-meet-author in The Guardian (2017 Nov 12)
Once Upon A Time in the East: A Story of Growing up, Chatto & Windus, 2017, page 259 (ISBN 9781784740689).
Memoir, 2017
Address to Grand Jury (1885)
Variant: I believed that I had a mission, I believe that I had a mission at this very moment.
The Queen Vs. Louis Riel : Accused and Convicted of the Crime of High Treason. Report of Trial at Regina (1886), p. 147 http://books.google.com/books?id=jLANAAAAQAAJ&output=text
Context: It is true, gentlemen, I believed for years I had a mission, and when I speak of a mission you will understand me not as trying to play the role of insane before the grand jury so as to have a verdict of acquittal upon that ground. I believe that I have a mission, I believe I had a mission at this very time. What encourages me to speak to you with more confidence in all the imperfections of my English way of speaking, it is that I have yet and still that mission, and with the help of God, who is in this box with me, and He is on the side of my lawyers, even with the honorable court, the Crown and the jury, to help me, and to prove by the extraordinary help that there is a Providence to-day in my trial, as there was a Providence in the battles of the Saskatchewan.