
2005
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=18193
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo
On pushing a book that he’s published out of his mind so that he may start a new one in “YORKSHIRE CALLING: AN INTERVIEW WITH CARYL PHILLIPS” https://www.publicbooks.org/yorkshire-calling-an-interviewwith-caryl-phillips/ in Public Books (2015 May 1)
2005
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=18193
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo
“I guess that’s the beauty of books. When they finish they don’t really finish.”
“Once I have refused to press that button because of Heinz, I can never press it.”
Source: Christopher and His Kind (1976), p. 335
Context: Suppose, Christopher now said to himself, I have a Nazi Army at my mercy. I can blow it up by pressing a button. The men in that Army are notorious for torturing and murdering civilians — all except for one of them, Heinz. Will I press the button? No — wait: Suppose I know that Heinz himself, out of cowardice or moral infection, has become as bad as they are and takes part in all their crimes? Will I press that button, even so? Christopher's answer, given without the slightest hesitation, was: Of course not.
That was a purely emotional reaction. But it helped Christopher think his way through to the next proposition. Suppose that Army goes into action and has just one casualty, Heinz himself. Will I press the button now and destroy his fellow criminals? No emotional reaction this time, but a clear answer, not to be evaded: Once I have refused to press that button because of Heinz, I can never press it. Because every man in that Army could be someone's Heinz and I have no right to play favorites. Thus Christopher was forced to recognize himself as a pacifist — although by an argument which he could only admit to with the greatest reluctance.
Source: Ex Libris: Confessions of a Common Reader
Phlogiston interview (1995)
Context: When I started writing my first novel,... And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer."
So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right.
While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology.