
“Here's what breaks us: Even though we know better, we still want everything to be all right.”
Source: Love Is the Higher Law
Source: Fallen Leaves (2014), Ch. 2 : On Youth
“Here's what breaks us: Even though we know better, we still want everything to be all right.”
Source: Love Is the Higher Law
Love in Action: Writings on Nonviolent Social Change (1993), p. 131
Sejamos simples e calmos,
Como os regatos e as árvores,
E Deus amar-nos-á fazendo de nós
Belos como as árvores e os regatos,
E dar-nos-á verdor na sua primavera,
E um rio aonde ir ter quando acabemos...
E não nos dará mais nada, porque dar-nos mais seria tirar-nos mais.
Alberto Caeiro (heteronym), O Guardador de Rebanhos ("The Keeper of Sheep"), VI — in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)
1860s, Allow the humblest man an equal chance (1860)
Context: It is exceedingly desirable that all parts of this great Confederacy shall be at peace, and in harmony, one with another. Let us Republicans do our part to have it so. Even though much provoked, let us do nothing through passion and ill temper. Even though the Southern people will not so much as listen to us, let us calmly consider their demands, and yield to them if, in our deliberate view of our duty, we possibly can. [... ] we must not only let them alone, but we must, somehow, convince them that we do let them alone. This, we know by experience is no easy task. We have been so trying to convince them from the very beginning of our organization, but with no success. In all our platforms and speeches, we have constantly protested our purpose to let them alone; but this has had no tendency to convince them, Alike unavailing to convince them is the fact that they have never detected a man of us in any attempt to disturb them.
Quote of Vincent's letter to Theo, from Amsterdam, 3 April 1878; a cited in The Letters of Vincent van Gogh to his Brother, 1872-1886 (1927) Constable & Co
As quoted in Wisdom for the Soul : Five Millennia of Prescriptions for Spiritual Healing (2006) by Larry Chang, p. 483
1870s
Variant: Love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is done well.
Source: The Monkey Grammarian (1974), Ch. 1
Context: The best thing to do will be to choose the path to Galta, traverse it again (invent it as I traverse it), and without realizing it, almost imperceptibly, go to the end — without being concerned about what “going to the end” means or what I meant when I wrote that phrase. At the very beginning of the journey, already far off the main highway, as I walked along the path that leads to Galta, past the little grove of banyan trees and the pools of foul stagnant water, through the Gateway fallen into ruins and into the main courtyard bordered by dilapidated houses, I also had no idea where I was going, and was not concerned about it. I wasn’t asking myself questions: I was walking, merely walking, with no fixed itinerary in mind. I was simply setting forth to meet … what? I didn’t know at the time, and I still don’t know. Perhaps that is why I wrote “going to the end”: in order to find out, in order to discover what there is after the end. A verbal trap; after the end there is nothing, since if there were something, the end would not be the end. Nonetheless, we are always setting forth to meet … even though we know that there is nothing, or no one, awaiting us. We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act. Without this end that constantly eludes us we would not journey forth, nor would there be any paths. But the end is the refutation and the condemnation of the path: at the end the path dissolves, the meeting fades away to nothingness. And the end — it too fades away to nothingness.
“Love and friendship. They are what make us who we are, and what can change us, if we let them.”
Source: Something Blue