Giorgio de Santillana (1902-1974) The Crime of Galileo http://books.google.com/books?id=34uQ6tlYHRgC&q=%22The+working+of+great+administrations+is+mainly+the+result+of+a+vast+mass+of+routine+petty+malice+self-interest+carelessness+and+sheer+mistake+Only+a+residual+fraction+is+thought%22&pg=PA290#v=onepage (1958)
Many sources mistakenly attribute this quote to Santayana, and one http://books.google.com/books?id=e4tzpkw4caAC&q=%22The+working+of+great+institutions+is+mainly+the+result+of+a+vast+mass+of+routine+petty+malice+self-interest+carelessness+and+sheer+mistake+Only+a+residual+fraction+is+thought%22&pg=PA283#v=onepage even identifies the correct book, without realizing that George Santayana and Giorgio de Santillana are two different people
Misattributed
“She writes well and concisely, and this has tended to obscure the psychological superficiality and sheer petty malice of her content.”
Martin Seymour-Smith, Guide to Modern World Literature, (London: Hodder & Stoughton, [1973] 1975), vol. 1, p. 333.
About
Help us to complete the source, original and additional information
Muriel Spark 19
Scottish writer 1918–2006Related quotes
The Crime of Galileo http://books.google.com/books?id=34uQ6tlYHRgC&q=%22The+working+of+great+administrations+is+mainly+the+result+of+a+vast+mass+of+routine+petty+malice+self-interest+carelessness+and+sheer+mistake+Only+a+residual+fraction+is+thought%22&pg=PA290#v=onepage (1958)
“He decided in favor of life out of sheer spite and malice.”
Source: Perfume: The Story of a Murderer
Source: Psychology and Industrial Efficiency (1913), p. 133
Gretchen Carlson, anchor of Fox and Friends television program (October 12, 2006)
2007, 2008
“She is content then with her own space, and her own matter, and her own art.”
VIII, 50
Meditations (c. 121–180 AD), Book VIII
Context: The universal nature has no external space; but the wondrous part of her art is that though she has circumscribed herself, everything which is within her which appears to decay and to grow old and to be useless she changes into herself, and again makes other new things from these very same, so that she requires neither substance from without nor wants a place into which she may cast that which decays. She is content then with her own space, and her own matter, and her own art.
On a heroine in Tales of the South Pacific (1947) in Commercial Appeal (31 December 1951)
"Psychological Aspects of the Mother Archetype" (1939). In CW 9, Part I: The Archetypes and the Collective Unconscious. P. 186
“She is the sum of nature's universe.
To her perfection all of beauty tends.”
Source: La Vita Nuova (1293), Chapter XIV, lines 49–50 (tr. Barbara Reynolds)
on his mom, Dolly Wiseman. Spin (October 2001)