
A.R. Kidwai in:"Prime Minister of India Acting".
Israeli sky in Anish’s steel- India-born artist sculpts landmark symbol for museum
A.R. Kidwai in:"Prime Minister of India Acting".
Source: Cannibals All!, or Slaves Without Masters (1857), p. 324
“We are sick today for lack of simple ideas which can help us be what we want to be.”
The Universe of Experience: A Worldview Beyond Science and Religion (1974)
Stephen Hero (1944)
Context: Now for the third quality. For a long time I couldn't make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas. After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.
"Boscovich's mathematics", an article by J. F. Scott, in the book Roger Joseph Boscovich (1961) edited by Lancelot Law Whyte.
"Transient pressure analysis in composite reservoirs" (1982) by Raymond W. K. Tang and William E. Brigham.
"Non-Newtonian Calculus" (1972) by Michael Grossman and Robert Katz.
full of ingenious difficulties [= translation of Greek art historian Nicos Hadjinicolau] /
full of deceptive difficulties [= translation of Spanish art historians Xavier de Salas and Fernando María]
Quote of El Greco, as cited in 'Hand-written Note Shows El Greco Defending Byzantine Style In Face Of Western Art', Dec. 2008 https://www.sciencedaily.com/releases/2008/12/081218132252.htm
the different translation by Nicos Hadjinicolau leads him to the conclusion that El Greco was defending Byzantine art; which is rejected by Fernando María