“This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.”

— James Joyce, book Stephen Hero

Stephen Hero (1944)
Context: Now for the third quality. For a long time I couldn't make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas. After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.

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James Joyce191

Irish novelist and poet 1882–1941

Christopher Tilley (1955) British postprocessual archaeologist.

[Buchli (Ed.), Victor, Christopher, Tilley, The Material Culture Reader, 2002, Berg, 1-85973-559-2, Oxford]

“We recognise two varieties of spirit, one of which is called the soul (ψυχή), but the other is greater than the soul, an image and likeness of God: both existed in the first men, that in one sense they might be material (ὑλικοί), and in another superior to matter.”

Tatian Address to the Greeks

Chap. xii.—The two kinds of spirits.
Address to the Greeks

“We hate poetry that has a palpable design upon us — and if we do not agree, seems to put its hand in its breeches pocket. Poetry should be great and unobtrusive, a thing which enters into one's soul, and does not startle or amaze with itself, but with its subject.”

John Keats (1795–1821) English Romantic poet

Letter to John Hamilton Reynolds (February 3, 1818)
Letters (1817–1820)

“The process of formulating and structuring a system are important and creative, since they provide and organize the information, which each system. "establishes the number of objectives and the balance between them which will be optimized". Furthermore, they help identify and define the system parts. Furthermore, they help identify and define the system parts which make up its "diverse, specialized structures and subfunctions.”

Harold Chestnut (1917–2001) American engineer

Source: Systems Engineering Tools, (1965), Systems Engineering Methods (1967), p. 70; First sentences of Ch. 3. Formulating and Structuring the System
In this text Harold Chestnut is here citing:
C. West Churchman, Russell L. Ackoff, and E. Leonard Arnoff (1957) Introduction to Operations Research. Wiley. New York, and
J. Morley English (1964) "Understanding the Engineering Design Process." The Journal of Industrial Engineering, Nov-Dec. 1964 Vol 15 (6). p. 291-296

“He came up with this very simple idea which was recognising that the location which we identified, which is an axial view straight up the main promenade of the museum at its highest point, would be the place where a simple hour glass form would offer the opportunity to invert the Jerusalem sky and built landscape. And that’s what he created – and it’s a superb thing.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Israeli sky in Anish’s steel- India-born artist sculpts landmark symbol for museum

“As a matter of fact, the adaptability of a program to changes in its objectives (often called maintainability) and to changes in its environment (nowadays called portability) can be measured primarily in terms of the degree to which it is neatly structured.”

Niklaus Wirth (1934) Swiss computer scientist

Program Development by Stepwise Refinement (1971)

“The beautiful is not that which we love and because we love it, but that which by its objective value obliges us to love it.”

Frithjof Schuon (1907–1998) Swiss philosopher

[2006, Sufism: Veil and Quintessence, World Wisdom, 96, 978-1-933316-28-4]
God, Beauty

“Imagine my glimpses at that clock as the gropings of a spiritual eye which seeks to adjust its vision to an exact focus. The moment the focus is reached the object is epiphanised.”

James Joyce book Stephen Hero

Stephen Hero (1944)
Context: Imagine my glimpses at that clock as the gropings of a spiritual eye which seeks to adjust its vision to an exact focus. The moment the focus is reached the object is epiphanised. It is just in this epiphany that I find the third, the supreme quality of beauty. … No esthetic theory, pursued Stephen relentlessly, is of any value which investigates with the aid of the lantern of tradition. What we symbolise in black the Chinaman may symbolise in yellow: each has his own tradition. Greek beauty laughs at Coptic beauty and the American Indian derides them both. It is almost impossible to reconcile all tradition whereas it is by no means impossible to find the justification of every form of beauty which has ever been adored on the earth by an examination into the mechanism of esthetic apprehension whether it be dressed in red, white, yellow or black. We have no reason for thinking that the Chinaman has a different system of digestion from that which we have though our diets are quite dissimilar. The apprehensive faculty must be scrutinised in action.

“Communism is for us not a state of affairs which is to be established, an ideal to which reality [will] have to adjust itself. We call communism the real movement which abolishes the present state of things. The conditions of this movement result from the premises now in existence.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Source: The German Ideology (1845-1846), Vol. I, Part 1.

“No recognised school of sculpture had animated this terrible object, yet centuries and even thousands of years seemed recorded in its dim and greenish surface of unplaceable stone.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Call of Cthulhu (1926)

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