“But the moment he makes the attempt his words falter, for he is confronted and defied by the inexplicable array of his own emotions. Emotions are subjective and he can communicate them only when he clothes them in objective guise; and how can he ever be so arrogant as to know when he is dressing up the right emotion in the right Sunday suit?”

“Whatever doubt might rise, he knew that he was right. But the rightness was an intellectual rightness and the doubt emotional.”

“Human infirmity in moderating and checking the emotions I name bondage: for, when a man is a prey to his emotions, he is not his own master, but lies at the mercy of fortune: so much so, that he is often compelled, while seeing that which is better for him, to follow that which is worse.”
Humanam impotentiam in moderandis et coercendis affectibus servitutem voco; homo enim affectibus obnoxius sui juris non est sed fortunæ in cujus potestate ita est ut sæpe coactus sit quanquam meliora sibi videat, deteriora tamen sequi.

“He understood the tone of voice instinctively, as he always had; it was his greatest gift, to know emotions even better than the person feeling them.”

“What do you think of Spinoza? For me he is the ideal example of the cosmic man. He worked as an obscure diamond cutter, disdaining fame and a place at the table of the great. He tells us the importance of understanding our emotions and suggests what causes them. Man will never be free until he is able to direct his emotions to think clearly. Only then can he control his environment and preserve his energy for creative work.”

“Magister Adler was deeply moved by something higher, but now when he wants to express his thoughts in words, wants to communicate, he confuses the subjective with the objective, his altered subjective state with an external event, the dawning of a light upon him with the coming into existence of something new outside him, the falling of the veil from his eyes with his having had a revelation. Subjectively his emotion is carried to the extreme; he wants to select the most powerful expression to describe it and by means of a mental deception grasps the objective qualification: having had a revelation.”

“A bullfighter can never see the work of art that he is making. He has no chance to correct it as a painter or writer has. He cannot hear it as a musician can. He can only feel it and hear the crowd's reaction to it. When he feels it and knows that it is great it takes hold of him so that nothing else in the world matters. All the time that he is making his work of art he knows that he must keep within the limits of his skill and his knowledge of the animal. Those matadors are called cold who visibly show that they are thinking of this. Antonio was not cold and the public belonged to him now. He looked up at them and let them know, modestly but not humbly, that he knew it and as he circled the ring with the ear in his hand he looked at the different segments of Bilbao, a city that he loved, as they stood up as he passed and was happy that he owned them.”

“It is certain that every man has a right to keep his own sentiments, if he pleases: he has certainly a right to judge whether he will make them public, or commit them only to the sight of his own friends. In that state the manuscript is, in every sense his peculiar property; and no man can take it from him or make any use of it which he has not authorized, without being guilty of a violation of his property.”

“Poor Faulkner. Does he really think big emotions come from big words? He thinks I don't know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.”

“The neurotic doesn't know how to cope with his emotional bills; some he keeps paying over and over, others he never pays at all.”