
"Tracking Tracey" http://www.dareland.com/emulsionalproblems/ullman.htm (Interview, January 1989)
Act iii, scene 6
Queen Mary: A Drama (published 1876)
"Tracking Tracey" http://www.dareland.com/emulsionalproblems/ullman.htm (Interview, January 1989)
“You are a most vexing young woman, you know.”
But his face bore a slight, whimsical smile.
“I know,” she replied, feeling her own mouth curve into a matching expression.
He blew out a breath. “As your brother, I could forbid you to go. But you and I both know that, even if I did so, you would do whatever you wish regardless. I suppose I have no choice but to accede to your request.”
Source: Arabella and the Battle of Venus (2017), Chapter 2, “No Time to Lose” (p. 28)
"James (new original song!)" (5 July 2007) http://youtube.com/watch?v=ZQSHT2DcHoU
"Pygmalion to Galatea" from Poems 1914-1926 (1927).
Poems
“What kind of a woman greets the Beast Lord with 'here, kitty, kitty'?”
Source: Magic Bites
“Musicians are seldom unemotional; a woman who could sing like that must know how to love indeed.”
Les musiciennes sont presque toujours amoureuses. Celle qui chantait ainsi devait savoir bien aimer.
The Wild Ass’s Skin (1831), Part II: A Woman Without a Heart
“Come, sing now, sing; for I know you sing well;
I see you have a singing face.”
The Wild Goose Chase (c. 1621; published 1652), Act II. 2.