Source: Mystery and Manners: Occasional Prose
“A musician once said: In art, truth and reality begin when one no longer understands what one is doing or what one knows, and when there remains an energy that is all the stronger for being constrained, controlled and compressed. It is therefore necessary to present oneself with the greatest humility: white, pure and candid with a mind as if empty, in a spiritual state analogous to that of a communicant approaching the Lord's Table. Obviously it is necessary to have all of one's experience behind one, but to preserve the freshness of one's instincts.”
Un musicien a dit: en art la vérité, le réel commence quand on ne comprend plus rien à ce qu'on fait, à ce q'uon sait, et qu'il reste en vous une énergie d'autant plus forte qu'elle est contrariée, compressée, comprimée. Il faut alors se présenter avec la plus grande humilité, tout-blanc, tout pur, candide, le cerveau semblant-vide, dans un état d'esprit analogue à celui du communiant approchant la Sainte Table. Il faut évidemment avoir tout son acquis derrière soi et avoir su garder la fraîcheur de l'Instinct.
1940s, Jazz (1947)
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Henri Matisse 60
French artist 1869–1954Related quotes
quote, c. 1920; in Buchheim, Künstlergemeinschaft Brücke, p. 303; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 40-41
Letter
Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774)
Alfred Binet (1894). Psychologies des grands calculateurs et joueurs d’echecs. Paris: Hachette. p. 71; As cited in: John Carson, "Minding matter/mattering mind: Knowledge and the subject in nineteenth-century psychology." in: Studies in History and Philosophy of Science Part C. 30.3 (1999): p. 363
Source: undated quotes, The Daily Practice of Painting, Writings (1962-1993), p. 78
Source: Striking Thoughts (2000), p. 19