Letter to Carl Jung, (16 June 1948)
Context: The purely psychological interpretation only apprehends half of the matter. The other half is the revealing of the archetypal basis of the terms actually applied in modern physics. What the final method of observation must see in the production of "background physics" through the unconscious of modern man is a directing of objective toward a future description of nature that uniformly comprises physis and psyche, a form of description that at the moment we are experiencing only in a prescientific phase. To achieve such a uniform description of nature, it appears to be essential to have recourse to the archetypal background of the scientific terms and concepts.
“Modernity is the transitory, fugitive, contingent, is but one half of art, of which the other half is the eternal and immutable.”
La modernité, c’est le transitoire, le fugitif, le contingent, la moitié de l’art, dont l’autre moitié est l’éternel et l’immuable.
IV: "La modernite" http://fr.wikisource.org/wiki/La_Modernit%C3%A9
Le peintre de la vie moderne (1863)
Original
La modernité, c'est le transitoire, le fugitif, le contingent, la moitié de l'art, dont l'autre moitié est l'éternel et l'immuable.
Le Peintre de la vie moderne, 1863
Variant: La modernité, c’est le transitoire, le fugitif, le contingent, la moitié de l’art, dont l’autre moitié est l’éternel et l’immuable.
Help us to complete the source, original and additional information
Charles Baudelaire 133
French poet 1821–1867Related quotes
“One half of my life has put the other half in the grave.”
La moitié de ma vie a mis l’autre au tombeau.
Chimène, act III, scene iii.
Le Cid (1636)
“I can hire one half of the working class to kill the other half.”
Frequently attributed, often in the context of strikebreaking activities during the Great Southwest Railroad Strike of 1886. See for example Philip Sheldon Foner, History of the Labor Movement in the United States, Volume 2 - Page 50 (1975). A contemporary source has not been identified. Varying forms of the quotation circulated in the labor press as early as 1893, with or without the attribution to Gould.
Attributed
Per arte e per inganno
Si vive mezzo l’anno;
Per inganno e per arte
Si vive l’altra parte.
L’Esaltazion della Croce, Act IV., Scene IX.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 390.
“Jove is not one half so merciless
As thou art to thyself.”
Sylphs
Poems (1851), Prometheus
Context: Jove is not one half so merciless
As thou art to thyself. But fare thee well;
Our love is all as stubborn as thy pride,
And swift as firm.