“The real us present, and it is transfigured… It is everywhere a reality at once immutable and changing. Matter is present, submitted to a luminous phantasmagoria. What Monet paints is the space that exists between himself and things.”

1895 in: Steven Z. Levine, ‎Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93

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French writer 1855–1926

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Context: How both the objective world accommodates to presentations in us, and presentations in us to the objective world, is unintelligible unless between the two worlds, the ideal and the real, there exists a pre-determined harmony. But this latter is itself unthinkable unless the activity, whereby the objective world, is produced, is at bottom identical with that which expresses itself in volition, and vice versa.

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