“"The ability to see what is, sir, is essential for the leader of a great nation," the British minister said. He wanted to let Lincoln down easy if he could. "I see what is, all right. I surely do," the president said. "I see that you European powers are taking advantage of this rebellion to meddle in America, the way you used to before the Monroe Doctrine warned you to keep your hands off. Napoleon props up a tin-pot emperor in Mexico, and now France and England are in cahoots"- another phrase that briefly baffled Lord Lyons- "to help the Rebels and pull us down. All right, sir." He breathed heavily. "If that's the way the game's going to be played, we aren't strong enough to prevent it now. But I warn you, Mr. Minister, we can play, too." "You are indeed a free and independent nation," Lord Lyons agreed. "You may pursue diplomacy to the full extent of your interests and abilities." "Mighty generous of you," Lincoln said with cutting irony. "And one fine day, I reckon, we'll have friends in Europe, too, friends who'll help us get back what's rightfully ours and what you've taken away." "A European power- to help you against England and France?" For the first time, Lord Lyons was undiplomatic enough to laugh. American bluster was bad enough most times, but this lunacy- "Good luck to you, Mr. President. Good luck."”

— Harry Turtledove , book The Great War: American Front

Source: The Great War: American Front (1998), p. 9

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Harry Turtledove 48

American novelist, short story author, essayist, historian 1949

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““If you can see a thing whole,” he said, “it seems that it’s always beautiful. Planets, lives…. But close up, a world’s all dirt and rocks. And day to day, life’s a hard job, you get tired, you lose the pattern. You need distance, interval. The way to see how beautiful the earth is, is to see it as the moon. The way to see how beautiful life is, is from the vantage point of death.”
“That’s all right for Urras. Let it stay off there and be the moon—I don’t want it! But I’m not going to stand up on a gravestone and look down on life and say, ‘O lovely!’ I want to see it whole right in the middle of it, here, now. I don’t give a hoot for eternity.””

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, (1974), Chapter 6 (p. 190)

“While in Kyoto I tried to learn Japanese with a vengeance. I worked much harder at it, and got to a point where I could go around in taxis and do things. I took lessons from a Japanese man every day for an hour.
One day he was teaching me the word for "see." "All right," he said. "You want to say, 'May I see your garden?' What do you say?"
I made up a sentence with the word that I had just learned.
"No, no!" he said. "When you say to someone, 'Would you like to see my garden?' you use the first 'see.' But when you want to see someone else's garden, you must use another 'see,' which is more polite."
"Would you like to glance at my lousy garden?" is essentially what you're saying in the first case, but when you want to look at the other fella's garden, you have to say something like, "May I observe your gorgeous garden?" So there's two different words you have to use.
Then he gave me another one: "You go to a temple, and you want to look at the gardens…"
I made up a sentence, this time with the polite "see."
"No, no!" he said. "In the temple, the gardens are much more elegant. So you have to say something that would be equivalent to 'May I hang my eyes on your most exquisite gardens?"
Three or four different words for one idea, because when I'm doing it, it's miserable; when you're doing it, it's elegant.
I was learning Japanese mainly for technical things, so I decided to check if this same problem existed among the scientists.
At the institute the next day, I said to the guys in the office, "How would I say in Japanese, 'I solve the Dirac Equation'?"
They said such-and-so.
"OK. Now I want to say, 'Would you solve the Dirac Equation?'”

Richard Feynman (1918–1988) American theoretical physicist

how do I say that?"
"Well, you have to use a different word for 'solve,' " they say.
"Why?" I protested. "When I solve it, I do the same damn thing as when you solve it!"
"Well, yes, but it's a different word — it's more polite."
I gave up. I decided that wasn't the language for me, and stopped learning Japanese.
Part 5: "The World of One Physicist", "Would <U>You</U> Solve the Dirac Equation?", p. 245-246
Surely You're Joking, Mr. Feynman! (1985)

“I will take my hands off Medicare when there is no Medicare, then I will come and see you sir.”

Allen West (politician) (1961) American politician; retired United States Army officer

Republican Rep. Allen West: “I will take my hands off Medicare when there is no Medicare”
Blogging Blue
2011-05-20
http://bloggingblue.com/2011/05/20/republican-rep-allen-west-i-will-take-my-hands-off-medicare-when-there-is-no-medicare/
2011-06-07
To an audience member chanting "Hands off Medicare!"
2010s

“What are you thinking?"
"Just how different everything down there is now, you know, now that I can see."
"Everything down there is exactly the same," he said. "You're the one that's different.”

Cassandra Clare book City of Bones

Source: City of Bones

“I never want to make beautiful pictures. I just want to make sure it’s right. Every set up, every shot, represents a choice: what you want to see, and what you don’t want to see.”

Wong Kar-wai (1958) Hong Kong screenwriter, film producer and film director

"Interview: Wong Kar-wai on The Grandmaster" in Slant (15 August 2013) https://www.slantmagazine.com/film/interview-wong-kar-wai/

““Look,” said Rumfoord, “life for a punctual person is like a roller coaster.” He turned to shiver his hands in her face. “All kinds of things are going to happen to you! Sure,” he said, “I can see the whole roller coaster you’re on. And sure—I could give you a piece of paper that would tell you about every dip and turn, warn you about every bogeyman that was going to pop out at you in the tunnels. But that wouldn’t help you any.”
“I don’t see why not,” said Beatrice.
“Because you’d still have to take the roller-coaster ride,” said Rumfoord. “I didn’t design the roller coaster, I don’t own it, and I don’t say who rides and who doesn’t. I just know what it’s shaped like.”

Kurt Vonnegut book The Sirens of Titan

Source: The Sirens of Titan (1959), Chapter 2 “Cheers in the Wirehouse” (pp. 57-58)

““I see Alvin with a son. That what he want most.”
“I see him with a woman,” said Rien. “That is what he miss the most.”
“I see him kneeling by a child’s grave,” said Dead Mary. “That is what he fears the most.””

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 16 “Labor” (p. 307).

“What I would like to know is what I should be doing."
"I see what you mean," Freeling said, "but I'm afraid I can't tell you. If you were a lathe operator I'd say make that part, but you're a part of management, and you can't treat managerial people that way."
"Go ahead," Forlesen told him. "I won't mind."
[…] "What I meant was that if I knew what you ought to be doing I'd hire a clerk to do it. You're where you are because we feel—rightly or wrongly—that you can find your own work, recognize it when you see it, and do it or get somebody else to. Just make damn sure you don't step on anybody's toes while you're doing it, and don't make more trouble than you fix. […] Don't come running to me with complaints, and don't let me get any complaints about you. Now what was it you wanted to see me about?"
"I don't," Forlesen said. "You said you wanted to see me.”

Gene Wolfe book Gene Wolfe's Book of Days

"Oh. Well, I'm through."
"Forlesen", Orbit 14 (1974), ed. Damon Knight, Reprinted in Gene Wolfe, Gene Wolfe's Book of Days (1981), Reprinted in Gene Wolfe, Castle of Days (1992), Reprinted in Gene Wolfe, The Best of Gene Wolfe (2009)
Fiction

“We could've done this anywhere, but I wanted you to see me, to see this," he said, gesturing at the room. "I wanted you to know where I come from, what I am under the choices I make.”

Kim Harrison (1966) Pseudonym

Source: Ever After

“I'll write this all down for you," I said. "I'll put it in a story." I don't know if that's what he wanted to ask me, but it's something everybody wants--for someone to see the hurt done to them and set it down like it matters.”

Sue Monk Kidd book The Secret Life of Bees

Source: The Secret Life of Bees

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Harry Turtledove 48

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