“No matter what direction we start off in, the signposts of literature always keep pointing the same way, to a world where nothing is outside the imagination. If even time, the enemy of all living things, and to poets, the most hated and feared of all tyrants, can be broken down by the imagination, anything can be.”

"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time

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Canadian literary critic and literary theorist 1912–1991

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“But in the imagination anything goes that can be imagined, and the limit of the imagination is a totally human world.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html
Context: At the level of ordinary consciousness the individual man is the centre of everything, surrounded on all sides by what he isn't. At the level of practical sense, or civilization, there's a human circumference, a little cultivated world with a human shape, fenced off from the jungle and inside the sea and the sky. But in the imagination anything goes that can be imagined, and the limit of the imagination is a totally human world.

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“I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries—the realists of a larger reality.”

Ursula K. Le Guin (1929–2018) American writer

Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is not profit. Its name is freedom.
National Book Awards, November 2014 https://www.newyorker.com/books/page-turner/national-book-awards-ursula-le-guin

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“Love is the emblem of eternity; it confounds all notion of time; effaces all memory of a beginning, all fear of an end: we fancy that we have always possessed what we love, so difficult is it to imagine how we could have lived without it.”

Bk. 8, ch. 2, as translated by Isabel Hill (1833)
Variant translation: It is certainly through love that eternity can be understood; it confuses all thoughts about time; it destroys the ideas of beginning and end; one thinks one has always been in love with the person one loves, so difficult is it to conceive that one could live without him.
As translated by Sylvia Raphael (1998)
Corinne (1807)

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