“The captain, thinking over this event afterward, realized that by his own lifelong standards he had a crew composed entirely of lunatics, with himself well to the front in degree of aberration; but he was fairly sure that this particular form of insanity was going to be useful.”

Source: The Icebound Land

Swenson, 1959, p. 21
1840s, Either/Or (1843)

Source: Accelerando (2005), Chapter 7 (“Curator”), p. 289

The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.

The Glenn Beck Program
Premiere Radio Networks
2009-07-29
Beck "stands by" Fox & Friends remarks that "I think the president is a racist"
Media Matters for America
2009-07-29
http://mediamatters.org/mmtv/200907290012
2000s, 2009

Source: So Long, and Thanks for All the Fish

Source: Our Lady of Darkness (1977), Chapter 10 (p. 56)

Part Six “Back Among the Blind Men”, Chapter v “Our Lady of the Bones”, Section 1 (p. 272)
(1987), BOOK TWO: THE FUGUE

Source: The City in the Autumn Stars (1986), Chapter 17 (p. 407)