“Even the nonreligious may exercise aesthetic judgment in matters of religion, and indeed our age has given the unbelieving a sophisticated taste in religious literature.”
Introduction
The Portable Matthew Arnold (Viking Press, 1949)
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Lionel Trilling 30
American academic 1905–1975Related quotes
Source: The Social History of Art, Volume IV. Naturalism, impressionism, the film age, 1999, Chapter 1. Naturalism and Impressionism

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 503.
Commenting upon the Aleinu prayer, in "Why We Remain Jews" (1962)
Context: The kingdom is Yours, and You will reign in glory for all eternity. As it is written in Your Torah: "The Lord shall reign for ever and ever." And it is said: " And the Lord shall be King over all the earth: on that day the Lord shall be One, and His name One."
No nobler dream was ever dreamt. It is surely nobler to be a victim of the most noble dream than to profit from a sordid reality and to wallow in it. Dream is akin to aspiration. And aspiration is a kind of divination of an enigmatic vision. And an enigmatic vision in the emphatic sense is the perception of the ultimate mystery, of the truth of the ultimate mystery. The truth of the ultimate mystery — the truth that there is an ultimate mystery, that being is radically mysterious — cannot be denied even by the unbelieving Jew of our age. That unbelieving Jew of our age, if he has any education, is ordinarily a positivist, a believer in Science, if not a positivist without any education.

Source: The Mike Wallace Interview (1958)

Maktubat-i-Imam Rabbani translated into Urdu by Maulana Muhammad Sa’id Ahmad Naqshbandi, Deoband, 1988, Volume I, pp.435-36. This letter was written to Shaikh Farid.
From his letters
Source: The Look of Maps (1952), p. 16; as cited in: Kirk Patrick Goldsberry (2007) Real-time Traffic Maps. p. 23

Source: The Sacred Depths of Nature (1998), p. 173
Context: The tapestry maker first strings the warp, long strong fibers anchored firmly to the loom, and then interweaves the weft, the patterns, the color, the art. The epic of evolution is our warp, destined to endure, commanding our universal gratitude and reverence and commitment. And then, after that, we are all free to be artists, to render in language and painting and song and dance our ultimate hopes and concerns and understandings of human nature. Throughout the ages, the weaving of our religious weft has been the province of our prophets and gurus and liturgists and poets. The texts and art and ritual that come to us from these revered ancestors include claims about Nature and Agency that are no longer plausible. They use a different warp. But for me at least, this is just one of those historical facts, something that can be absorbed, appreciated, and then put aside as I encounter the deep wisdom embedded in these traditions and the abundant opportunities that they offer to experience transcendence and clarity.