Oui interview (1979)
“[E]ven if you do know about art, you can’t talk about it socially… Damien Hirst’s shark was a common talking point for a time, and so will the diamond skull be: for a little more time, perhaps, but not forever. The Botticelli paintings are forever because they aren’t talking points.”
'Reflections on a Diamond Skull', on corporate art
Television and radio, Radio 4: A Point of View
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Clive James 151
Australian author, critic, broadcaster, poet, translator an… 1939–2019Related quotes
Rejoinder when told that he couldn't talk about physics, because "nobody [at this table] knows anything about it."
Part 5: "The World of One Physicist", "Alfred Nobel's Other Mistake", p. 310.
Quoted in Handbook of Economic Growth (2005) by Philippe Aghion and Steven N. Durlauf.
Surely You're Joking, Mr. Feynman! (1985)
To Letterman, after they lengthily kissed during the Late Night with David Letterman — "Gillian Anderson Kisses Letterman" https://www.youtube.com/watch?v=QPLlDZ2uJXY (May 10, 2002)
2000s
“.. people always talk about painting, because basically painting does not talk.”
Karel Appel defines his painting', interview 1968
“Men are forever doing two things at the same time: acting egoistically and talking moralistically.”
The Tyranny of Hate: The Roots of Antisemitism : A Translation into English of Memsheleth Sadon (1992), p. 25
Remark to Washington Post reporter Milton Coleman (25 January 1984), using an anti-semitic slur. See Coleman (10 April 1984) "A good reporter must put ethics ahead of other considerations" The Milwaukee Journal
La presse est une bouche forcée d'être toujours ouverte et de parler toujours. De là vient qu'elle dit mille fois qu'elle n'a rien à dire.
Page 48.
Journal d'un poète (1867)
Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 4 “La Tia” (p. 74).