“Gandhi has sound economic and cultural reasons for encouraging the revival of cottage industries, but he does not counsel a fanatical repudiation of all modern progress. Machinery, trains, automobiles, the telegraph have played important parts in his own colossal life! Fifty years of public service, in prison and out, wrestling daily with practical details and harsh realities in the political world, have only increased his balance, open-mindedness, sanity, and humorous appreciation of the quaint human spectacle.”

James D. Mooney (1933), cited in: Glenn Yago (1980), ;;The Decline of Public Transit in the United States and Germany. p. 39

Source: The Natural System of Political Economy (1837), p. 39

Miscellaneous http://books.google.com/books?id=cvlOAAAAMAAJ&q=%22Everyone+sits+in+the+prison+of+his+own+ideas+he+must+burst+it+open+and+that+in+his+youth+and+so+try+to+test+his+ideas+on+reality%22&pg=PA104#v=onepage, Cosmic Religion, p. 104 (1931)
1930s

Source: "The Study of Administration." 1937, p. 28

Source: That Greece Might Still be Free (1972), p. 15-16.
Context: A society in whose culture the Ancient Greeks played such an important part was bound to have a view about the Modern Greeks. The inhabitants of that famous land, whose language was still recognizably the same as that of Demosthenes, could not be regarded as just another remote tribe of natives or savages. Western Europe could not escape being concerned with the nature of the relationship between the Ancient and the Modem Greeks. The question has teased, perplexed, and confused generations of Greeks and Europeans and it still stirs passions to an extent difficult for the rational to condone.

Praksah Karat in “EMS on Gandhi” quoted in "The Mahatma and the Ism" in page=8.
About E.M.S.

Presidential campaign (April 12, 2015 – 2016), (July 28, 2016)

Source: The Birth of Tragedy (1872), p. 15
Context: Thus the man who is responsive to artistic stimuli reacts to the reality of dreams as does the philosopher to the reality of existence; he observes closely, and he enjoys his observation: for it is out of these images that he interprets life, out of these processes that he trains himself for life. It is not only pleasant and agreeable images that he experiences with such universal understanding: the serious, the gloomy, the sad and the profound, the sudden restraints, the mockeries of chance, fearful expectations, in short the whole 'divine comedy' of life, the Inferno included, passes before him, not only as a shadow-play — for he too lives and suffers through these scenes — and yet also not without that fleeting sense of illusion; and perhaps many, like myself, can remember calling out to themselves in encouragement, amid the perils and terrors of the dream, and with success: 'It is a dream! I want to dream on!' Just as I have often been told of people who have been able to continue one and the same dream over three and more successive nights: facts which clearly show that our innermost being, our common foundation, experiences dreams with profound pleasure and joyful necessity.

Source: Adventures of a White-Collar Man. 1941, p. 10; Published earlier in: Drugs, Oils & Paints, (1939). Vol. 54-55, p. 335