Source: On Tulsidas’s epic Ramacharritamanas, P.E.Keay in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", p. 35
“As the glossaries lengthen, as the footnotes become more elementary and didactic, the poem, the epic, the drama, move out of balance on the actual page. As even the more rudimentary of mythological, religious or historical references, which form the grammar of Western literature, have to be elucidated, the lines of Spenser, of Pope, of Shelley or of Sweeney Among the Nightingales, blur away from immediacy. Where it is necessary to annotate every proper name and classical allusion in the dialogue between Jessica and Lorenzo in the garden at Belmont, or in Iachimo's stealthy rhetoric when he emerges in Imogen's bedchamber, these marvellous spontaneities of enacted feeling become "literary" and twice-removed.”
"Tomorrow".
In Bluebeard's Castle (1971)
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George Steiner 74
American writer 1929–2020Related quotes
"Meeting with Enrique Lihn" (The New Yorker,December 22, 2008)
Context: Literature was a vast minefield occupied by enemies, except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me. It’s like that for all young writers. There comes a time when you have no support, not even from friends, forget about mentors, and there’s no one to give you a hand; publication, prizes, and grants are reserved for the others, the ones who said “Yes, sir,” over and over, or those who praised the literary mandarins, a never-ending horde distinguished only by their aptitude for discipline and punishment — nothing escapes them and they forgive nothing.
Statement of an uncredited reviewer in The Quarterly Review [London] (January 1866), p. 277
Misattributed
Source: Aphorisms and Reflections (1901), p. 106
"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time
Context: In literature you don't just read one poem or novel after another, but enter into a complete world of which every work of literature forms part. This affects the writer as much as it does the reader.
Notes of 1919, as quoted in Ludwig Wittgenstein : The Duty of Genius (1990) by Ray Monk
1910s
Words with Power : Being a Second Study of The Bible and Literature (1990), Introduction, p. xiii http://books.google.com/books?id=ZnSJb6PPnBoC&pg=PP81&lpg=PP81&dq=%22which+is+inherited,+transmitted+and+diversified+by+literature%22&source=bl&ots=xJ1cLDaUCI&sig=m6agYWMBlW0qfDYMA7aX9aNM8IE&hl=en&sa=X&ei=PaCqUsiEM-issQT_4oGAAg&ved=0CDYQ6AEwAg#v=onepage&q=%22which%20is%20inherited%2C%20transmitted%20and%20diversified%20by%20literature%22&f=false
"Quotes"
Internet Encyclopedia of Philosophy
The Educated Imagination (1963), Talk 3: Giants in Time