
Letter X: Reply to the Edinburgh Reviewers, Miscellaneous works of the late Thomas Young https://archive.org/details/miscellaneouswo01youngoog (1855), p. 215
quote of c. 1927
Quote in 'Autour de Ballet Méchanique', as quoted in Fernand Léger – The Later Years -, catalogue ed. Nicolas Serota; published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, pp. 21-22
Quotes of Fernand Leger, 1920's
Letter X: Reply to the Edinburgh Reviewers, Miscellaneous works of the late Thomas Young https://archive.org/details/miscellaneouswo01youngoog (1855), p. 215
Quote from a letter to Simone Herman, 3 September, 1933, as in quoted Fernand Léger - The Later Years -, catalogue edited by Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 28
Quotes of Fernand Leger, 1930's
Source: posthumous quotes, Braque', (1968), p. 55
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, pp. 9-10 : 'Notes from 1969'
“Life has a value only when it has something valuable as its object.”
Lectures on the Philosophy of History (1832), Volume 1
Quote from: 'L'ésthetique de la Machine - l'Ordre Géometrique et le Vrai', in Propos d’Artistes, 1925
Quotes of Fernand Leger, 1920's
Source: The Moral Judgment of the Child (1932), Ch. 2 : Adult Constraint and Moral Realism <!-- p. 185 -->
Context: To perceive is to construct intellectually, and if the child draws things as he conceives them, it is certainly because he cannot perceive them without conceiving them. But to give up gradually the spurious absolutes situated away and apart from the context of relations that has been built up during experience itself is the work of a superior kind of rationality. When the child comes to draw things as he sees them, it will be precisely because he has given up taking isolated objects in and for themselves and has begun to construct real systems of relations which take account of the true perspective in which things are connected.
Source: Simone Weil : An Anthology (1986), The Great Beast (1947), p. 121; footnote in Gravity and Grace edited by Gustave Thibon: To adore the "Great Beast" is to think and act in conformity with the prejudices and reactions of the multitude to the detriment of all personal search for truth and goodness.
Source: The Warrior Within : The Philosophies of Bruce Lee (1996), p. 77, spoken by Cord, the protagonist of the unproduced film The Silent Flute