“Aion is a child at play, gambling; a child’s is the kingship. Telesphorus traverses the dark places of the world, like a star flashing from the deep, leading the way to the gates of the sun and the land of dreams.”

—  C.G. Jung

Combining fragments of Heraclitus and Homer
Bollingen Tower inscriptions (1950)

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C.G. Jung 257
Swiss psychiatrist and psychotherapist who founded analytic… 1875–1961

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Context: The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.

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“Eternity is a child playing, playing checkers; the kingdom belongs to a child.”

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Variants:
History is a child building a sand-castle by the sea, and that child is the whole majesty of man’s power in the world.
As quoted in Contemporary Literature in Translation (1976), p. 21
A lifetime is a child playing, playing checkers; the kingdom belongs to a child.
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Time is a game played beautifully by children.
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Lifetime is a child at play, moving pieces in a game. Kingship belongs to the child.
As quoted in The Art and Thought of Heraclitus (1979) translated by Charles H. Kahn

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ibid
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