“Mrs. Phillis: Your favour of the 26th of October did not reach my hands 'till the middle of December. Time enough, you will say, to have given an answer ere this. Granted. But a variety of important occurrences, continually interposing to distract the mind and withdraw the attention, I hope will apologize for the delay, and plead my excuse for the seeming, but not real neglect.”
1770s, Letter to Phyllis Wheatley (1776)
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George Washington 186
first President of the United States 1732–1799Related quotes

Letter of application to the Société des Concerts du Conservatoire.
Source: (13 March 1832); published in At the Piano with Fauré (1963) by Marguerite Long, p. 31

“Excuse me if I
Have some place in my mind
Where I go time to time.”
It's Good To Be King
Lyrics, Wildflowers (1994)

"Love"
The Forerunner (1920)
Context: O love, whose lordly hand
Has bridled my desires,
And raised my hunger and my thirst
To dignity and pride,
Let not the strong in me and the constant
Eat the bread or drink the wine
That tempt my weaker self.
Let me rather starve,
And let my heart parch with thirst,
And let me die and perish,
Ere I stretch my hand
To a cup you did not fill,
Or a bowl you did not bless.

Source: The Venetian Bracelet (1829), Lines of Life

Source: The Historian (2005), Ch. 5
Context: In the Year of Our Lord 1456 Drakula did many terrible and curious things. When he was appointed Lord in Wallachia, he had all the young boys burned who came to his land to learn the language, four hundred of them. He had a large family impaled and many of his people buried naked up to the navel and shot at. Some he had roasted and then flayed.
There was a footnote, too, at the bottom of the first page. The typeface of the note was so fine that I almost missed it. Looking more closely, I realized it was a commentary on the word impaled. Vlad Tepes, it claimed, had learned this form of torture from the Ottomans. Impalement of the sort he practiced involved the penetration of the body with a sharpened wooden stake, usually through the anus or genitals upward, so that the stake sometimes emerged through the mouth and sometimes through the head.
I tried for a minute not to see these words; then I tried for several minutes to forget them, with the book shut.
The thing that most haunted me that day, however, as I closed my notebook and put my coat on to go home, was not my ghostly image of Dracula, or the description of impalement, but the fact that these things had — apparently — actually occurred. If I listened too closely, I thought, I would hear the screams of the boys, of the “large family” dying together. For all his attention to my historical education, my father had neglected to tell me this: history’s terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth. And once you’ve seen that truth — really seen it — you can’t look away.

Indian contemporary artists have not reached my standard: SH Raza

n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29