Source: How Europe Underdeveloped Africa (1972), p. 205.
Context: But what is relevant here is to understand why a Shaka was possible in Africa in the nineteenth century, before the coming of colonial rule. Had Shaka been a slave to some cotton planter in Mississippi or some sugar planter in Jamaica, he might have had an ear or a hand chopped off for being a “recalcitrant nigger,” or at best he might have distinguished himself in leading a slave revolt. For the only great men among the unfree and the oppressed are those who struggle to destroy the oppressor. On a slave plantation, Shaka would not have built a Zulu army and a Zulu state—that much is certain. Nor could any African build anything during the colonial period, however much a genius he may have been. As it was, Shaka was a herdsman and a warrior. As a youth, he tended cattle on the open plains—free to develop his own potential and apply it to his environment. Shaka was able to invest his talents and creative energies in a worthwhile endeavor of construction. He was not concerned with fighting for or against slave traders; he was not concerned with the problem of how to resell goods made in Sweden and France. He was concerned with how to develop the Zulu area within the limits imposed by his people’s resources. It must be recognized that things such as military techniques were responses to real needs, that the work of the individual originates in and is backed by the action of society as a whole, and that whatever was achieved by any one leader must have been bounded by historical circumstances and the level of development, which determine the extent to which an individual can first discover, then augment, and then display his potential.
“To live is to be among men, and to be among men is to struggle, a struggle not only with them but with oneself; with their passions, but also with one's own.”
Letter to his family, Dapitan (c. 1884)
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José Rizal 64
Filipino writer, ophthalmologist, polyglot and nationalist 1861–1896Related quotes

"Speech to Danish working-class actors on the art of observation" [Rede an dänische Arbeiterschauspieler über die Kunst der Beobachtung] (1934), from The Messingkauf Poems, published in Versuche 14 (1955); trans. John Willett in Poems, 1913-1956, p. 238
Poems, 1913-1956 (1976)

Source: https://books.google.com.pk/books?id=co3AzQEACAAJ&dq=inauthor:%22Zaman+Ali%22&hl=en&sa=X&ved=2ahUKEwjVi-2e57jtAhWToVwKHUj0D3kQ6AEwAnoECAEQAg
“He who is worthy of God is also a god among men.”
Sentences of Sextus

“Live among men as if God beheld you; speak with God as if men were listening.”
sic vive cum hominibus tamquam deus videat, si loquere cum deo tamquam homines audiant.
Source: Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter X: On living to oneself, Line 5.

“What men are among the other formations of the earth, artists are among men.”
Was die Menschen unter den andern Bildungen der Erde, das sind die Künstler unter den Menschen.
“Selected Ideas (1799-1800)”, Dialogue on Poetry and Literary Aphorisms, Ernst Behler and Roman Struc, trans. (Pennsylvania University Press:1968) # 43

Quoted in "USSR Information Bulletin" - 1942 - Page 358