
radio broadcast, together with Adolph Gottlieb, 1943
1940's
1840s, Essays: First Series (1841), Self-Reliance
radio broadcast, together with Adolph Gottlieb, 1943
1940's
The Complete Neurotic's Notebook (1981), Unclassified
Attributed to Einstein in Treasury of the Christian Faith https://books.google.com/books?id=Ll4wAAAAYAAJ&q=%22shabby+clothes%22+%22shoddy+furniture%22&dq=%22shabby+clothes%22+%22shoddy+furniture%22&hl=en&sa=X&ved=0ahUKEwiS04TynqDLAhUO8GMKHUYICMkQ6AEINTAA (1949), and subsequently repeated in other books. No original source where Einstein supposedly said this has been located, and it is absent from authoritative sources such as Calaprice, The Ultimate Quotable Einstein.
Disputed
Page 14.
A Grammar of the English Language (1818)
“Olympian bards who sung
Divine ideas below,
Which always find us young
And always keep us so.”
Ode to Beauty
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: Olympian bards who sung
Divine ideas below,
Which always find us young
And always keep us so.
As quoted in Man Ray : The Rigour of Imagination (1977) by Arturo Schwarz, p. 10 <!-- also in Man Ray : Photographs and Objects (1980) by Birmingham Museum of Art -->
Variant: I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence.
As quoted in an interview "Man Ray: Photographer" published in Camera (1981) edited by Philippe Sers <!-- and in The Columbia Dictionary of Quotations (1993) edited by Robert Andrews, p. 686 -->
Context: l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.