Essay of Dramatick Poesie (1668)
Context: To begin then with Shakespeare; he was the man who of all Modern, and perhaps Ancient Poets, had the largest and most comprehensive soul. All the Images of Nature were still present to him, and he drew them not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learn'd; he needed not the spectacles of Books to read Nature; he look'd inwards, and found her there. I cannot say he is every where alike; were he so, I should do him injury to compare him with the greatest of Mankind. He is many times flat, insipid; his Comick wit degenerating into clenches; his serious swelling into Bombast. But he is alwayes great, when some great occasion is presented to him: no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of the Poets
“this same Man-of-Letters Hero must be regarded as our most important modern person. He, such as he may be, is the soul of all.”
1840s, Heroes and Hero-Worship (1840), The Hero as Man of Letters
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Thomas Carlyle 481
Scottish philosopher, satirical writer, essayist, historian… 1795–1881Related quotes
Samuel Pepys Diary, November 5, 1665.
Criticism
Source: Making Mondragón, 1965, p. 170; As cited in: Ickis (2014)
Source: Spiritual Journey: Michio Kushi's Guide to Endless Self-Realization and Freedom (1994, with Edward Esko), p. 55
“Perhaps,
The man-hero is not the exceptional monster,
But he that of repetition is most master.”
Notes Toward a Supreme Fiction (1942), It Must Give Pleasure
Source: Communication: The Social Matrix of Psychiatry, 1951, p. 7
The Kasîdah of Hâjî Abdû El-Yezdî (1870), Note I : Hâjî Abdû, The Man
Context: With Hâjî Abdû the soul is not material, for that would be a contradiction of terms. He regards it, with many moderns, as a state of things, not a thing; a convenient word denoting the sense of personality, of individual identity.