The Glass Bead Game (1943)
Context: "If only there were a dogma to believe in. Everything is contradictory, everything tangential; there are no certainties anywhere. Everything can be interpreted one way and then again interpreted in the opposite sense. The whole of history can be explained as development and progress and can also be seen as nothing but decadence and meaninglessness. Isn't there any truth? Is there no real and valid doctrine?"
The Master had never heard him speak so fervently. He walked on in silence for a little, then said, "There is truth, my boy. But the doctrine you desire, absolute, perfect dogma that alone provides wisdom, does not exist. Nor should you long for a perfect doctrine, my friend. Rather, you should long for the perfection of yourself. The deity is within you, not in ideas and books. Truth is lived, not taught. Be prepared for conflicts, Joseph Knecht — I can see they have already begun."
“"Grant me, ye gods, but one certainty," runs Parmenides' prayer, "and if it be but a log's breadth on which to lie. on which to ride upon the sea of uncertainty. Take away everything that comes-to-be, everything lush, colorful, blossoming, illusory, everything that charms and is alive. Take all these for yourselves and grant me but the one and only, poor empty certainty.””
Source: Philosophy in the Tragic Age of the Greeks (posthumous), p. 81
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Friedrich Nietzsche 655
German philosopher, poet, composer, cultural critic, and cl… 1844–1900Related quotes
“A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode.”
Source: All Tomorrow's Parties (2003), Ch. 38 : Vincent Black Lightning, p. 191
Context: If Skinner couldn't tell Fontaine a story about something, Fontaine would make up his own story, read function in the shape of something, read use in the way it was worn down. It seemed to comfort him.
Everything to Fontaine, had a story. Each object, each fragment comprising the built world. A chorus of voices, the past alive in everything, that sea upon which the present tossed and rode. When he'd built Skinner's funicular, the elevator that crawled like a small cable car up the angled iron of the tower, when they old man's hip had gotten too bad to allow him to easily climb, Fontaine had a story about the derivation of each piece. He wove their stories together, applied electricity: the thing rose, clicking, to the hatch in the floor of Skinner's room.
“Take me. Take all of me. The good and the bad. Everything. Take it all.”
Source: Captivated by You
The crisis in the humanities and in the mainstream of philosophy (1964), reprinted in The Devil in Modern Philosophy (1974)
Context: The way forward does not lie in amateur and comically timeless linguistic sociology which takes ‘forms of life’ for granted (and this is what philosophy has been recently), but in the systematic study of forms of life which does not take them for granted at all. It hardly matters whether such an inquiry is called philosophy or sociology.
Source: Music of Silence: A Sacred Journey Through the Hours of the Day
“Take everything you like seriously, except yourselves.”