“The maiden---pure and without stain--lay sleeping on the small couch that occupied one corner of the closet. Her fair limbs were enshrouded in the light folds of a night-robe, and she lay in an attitude of perfect repose, one glowing cheek resting upon her uncovered arm, while over the other, waved the loosened curls of her glossy hair. The parting lips disclosed her teeth, white as ivory, while her youthful bosom came heaving up from the folds of her night-robe, like a billow that trembles for a moment in the moonlight, and then is suddenly lost to view. She lay there in all the ripening beauty of maidenhood, the light falling gently over her young limbs, their outlines marked by the easy folds of her robe, resembling in their roundness and richness of proportion, the swelling fulness of the rose-bud that needs but another beam of light, to open it into its perfect bloom.”
The Quaker City; or, the Monks of Monk Hall, part 1, chapter 9 "The Bride" (1844)
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George Lippard 5
Novelist, journalist 1822–1854Related quotes

A History of the Lyre
The Venetian Bracelet (1829)

“The appearance of [Virtue] was far different: her hair, seeking no borrowed charm from ordered locks, grew freely above her forehead; her eyes were steady; in face and gait she was more like a man; she showed a cheerful modesty; and her tall stature was set off by the snow-white robe she wore.”
[Virtutis] dispar habitus: frons hirta nec umquam
composita mutata coma, stans vultus, et ore
incessuque viro propior laetique pudoris
celsa umeros niveae fulgebat stamine pallae.
Book XV, lines 28–31
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“Her gentle limbs did she undress,
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Part I, l. 237
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