“A virgin is like a rose: while she remains on the thorn whence she sprang, alone and safe in a lovely garden, no flock, no shepherd approaches. The gentle breeze and the dewy dawn, water, and earth pay her homage; amorous youths and loving maidens like to deck their brows with her, and their breasts. / But no sooner is she plucked from her mother-stalk, severed from her green stem, than she loses all, all the favour, grace, and beauty wherewith heaven and men endowed her.”

— Ludovico Ariosto , book Orlando Furioso

La verginella e simile alla rosa
Ch'in bel giardin' su la nativa spina
Mentre sola e sicura si riposa
Ne gregge ne pastor se le avvicina;
L'aura soave e l'alba rugiadosa,
L'acqua, la terra al suo favor s'inchina:
Gioveni vaghi e donne inamorate
Amano averne e seni e tempie ornate.<p>Ma no si tosto dal materno stelo
Rimossa viene, e dal suo ceppo verde
Che quato havea dagli huoi e dal cielo
Favor gratia e bellezza tutto perde.
Canto I, stanzas 42–43 (tr. G. Waldman)
Compare:
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae:
idem cum tenui carptus defloruit ungui,
nulli illum pueri, nullae optavere puellae:
sic virgo, dum intacta manet, dum cara suis est;
cum castum amisit polluto corpore florem,
nec pueris iucunda manet, nec cara puellis.
As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it: so a maiden, whilst she remains untouched, so long she is dear to her own; when she has lost her chaste flower with sullied body, she remains neither lovely to boys nor dear to girls.
Catullus, Carmina, LXII (tr. Francis Warre-Cornish)
Orlando Furioso (1532)

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Orlando Furioso (1532)

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Ludovico Ariosto 97

Italian poet 1474–1533

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