
Glenn Beck
Television
Fox News
2009-11-13
Beck: I don't identify as white, why do black people identify as black?
Media Matters for America
2009-11-13
http://mediamatters.org/mmtv/200911130029
2000s, 2009
"The Heroine: A Contraption of Attitudes" http://query.nytimes.com/gst/fullpage.html?res=9C06E4DF103BF932A15750C0A964948260&scp=30&sq=, The New York Times (21 March 1982)
Glenn Beck
Television
Fox News
2009-11-13
Beck: I don't identify as white, why do black people identify as black?
Media Matters for America
2009-11-13
http://mediamatters.org/mmtv/200911130029
2000s, 2009
referring to "This is Herman Cain!" recounting that Herman read about sit-ins and Freedom Rides, and followed his father's advice to "stay out of trouble".
Interview with Michael Joyce in Pif (January 2000) http://www.pifmagazine.com/vol32/i_m_joyce.shtml
Context: I was just telling my students about first reading D. H. Lawrence and having that feeling: it is done, I need not do more or attempt to... I would have to say – and this is less hubris, I swear, than a humble recognition from what others say about reading my work – that I have a way of shaping the experience of the text so that it becomes like a maze of mirrors set at angles to each other, not a funhouse labyrinth exactly nor the mirror in mirror, but rather an angularity wherein the mirror mirrors the blue opening as well as the opposing surface so that surface and opening multiply and intertwine.
Source: The Rapture of Canaan
“The atmosphere is blue by reason of the darkness above it because black and white make blue.”
The Notebooks of Leonardo da Vinci (1883), VII On the Proportions and on the Movements of the Human Figure
“Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.”
On the parallels between African American literature and Chicano literature in “AN INTERVIEW WITH DENISE CHAVEZ” https://ir.uiowa.edu/cgi/viewcontent.cgi?article=1161&context=ijcs in Iowa Journal of Cultural Studies (1994)
A statement regarding the Emmett Till murder.
Paris Review interview (1958)
Context: If we Americans are to survive it will have to be because we choose and elect and defend to be first of all Americans; to present to the world one homogeneous and unbroken front, whether of white Americans or black ones or purple or blue or green. Maybe the purpose of this sorry and tragic error committed in my native Mississippi by two white adults on an afflicted Negro child is to prove to us whether or not we deserve to survive. Because if we in America have reached that point in our desperate culture when we must murder children, no matter for what reason or what color, we don’t deserve to survive, and probably won’t.
Comment voyez-vous cet arbre? Il est bien vert? Mettez donc du vert, le plus beau vert de votre palette; — et cette ombre, plutôt bleue? Ne craignez pas la peindre aussi bleue que possible.
Quote from a conversation in 1888, Pont-Aven, with Paul Sérusier as cited by w:Maurice Denis, inL'influence de Paul Gauguin, in Occident (October 1903) and published in Du symbolisme au classicisme. Théories (1912), ed. Olivier Revault d'Allonnes (Paris, 1964), p. 51.
1870s - 1880s