“Remember that the Latino, Chicano, Mexican American writers are following in the footsteps of the African American writers. This has to do with the antepasados, the people who have come before you, who allow you to take the steps you need to take. I always thank the Black writers because they gave me a sense of freedom…”

— Denise Chávez

On the parallels between African American literature and Chicano literature in “AN INTERVIEW WITH DENISE CHAVEZ” https://ir.uiowa.edu/cgi/viewcontent.cgi?article=1161&context=ijcs in Iowa Journal of Cultural Studies (1994)

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Denise Chávez4

American writer 1948

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“Chicano" was a bad word when I was coming up. At least that's what the elders said. The word referred to a Mexican born in the U.S., so by that definition, I'm not Chicano. I was born in Tijuana, but the Mexicans didn't see me as Mexican and the Americans didn't see me as American. I'm a man without a flag. When I started working among Chicanos as an adult, some accepted me, but some didn't. On either side [of the border] I was the "other"; I've always been the other. Later on when I had a bit of success, people on both sides were much more enthusiastic about embracing me. The word "Latino" seems meaningless to me, and "Hispanic" is just wrong. These days, I just tell people my nationality is "Writer.”

Luis Alberto Urrea (1955) Mexican-American poet

On finding his niche as a writer in “AN INTERVIEW WITH LUIS ALBERTO URREA” http://www.bookslut.com/features/2011_12_018440.php in Bookslut (December 2011)

“Any number of definitions help to determine who we are. It doesn't hurt to be a woman writer, an American woman writer, American woman writer of the 21st century. I think all these descriptions of us — and they're descriptions and adjectives that pertain to you — none of them diminish you, really. I think that maybe there's a kind of deepening or expansion the more identifications you have.”

Joyce Carol Oates (1938) American author

Tavis Smiley interview (2005)

“The reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum — because of slavery.”

Jesmyn Ward (1977) American writer

Source: On using mythology in her works in “INTERVIEWS: Powell's Interview: Jesmyn Ward, Author of 'Sing, Unburied, Sing'” https://www.powells.com/post/interviews/powells-interview-jesmyn-ward-author-of-sing-unburied-sing in Powell City of Books (2017 Aug 29)

“I’ve always been at the peripheries of the Chicano Movement because the Chicano world does not consider me Chicana enough. They, however, respect me as a writer…”

Estela Portillo-Trambley (1936–1998) American writer

On being indirectly involved with the Chicano movement (as quoted in the book Chicana Ways: Conversations with Ten Chicana Writers https://books.google.com/books?id=yq0PkmCGWoEC&pg=PA205&lpg=PA205&dq)

“I’m a magician who writes about ideas. I’m not a science-fiction writer. People who call me that are wrong. Most of what I write is fantasy or magic realism or plays about my Mexican-American background.”

Ray Bradbury (1920–2012) American writer

Bradbury Talk Likely to Feature the Unexpected (1994)

“You become a writer because you need to become a writer - nothing else.”

Grace Paley (1922–2007) American writer and activist

“The thing about writing in America—and I just recently understood this—is that writers in America have an arc. You enter writing as a career, you expect to be successful, and really it’s the wrong thing. It’s not a profession. A professional writer is a joke. You write because you can’t do anything else, and then you have another job. I’m always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something. If you just sit there, and you’re a writer, you’re bound to write crap. A lot of American writing is crap. And a lot of American writers are professionals. Writing is not a profession. It’s a calling. It’s almost holy…”

Jamaica Kincaid (1949) Antiguan-American novelist, essayist, gardener, and gardening writer

On her views of writing in “Jamaica Kincaid: Does Truth Have a Tone?” https://www.guernicamag.com/does-truth-have-a-tone/ in Guernica (2013 Jun 17)

“You have to recognize those writers who are artists in the same sense as the musicians.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Meet Clare Fischer" http://cdassassin.wordpress.com/2010/10/28/1999-interview-at-allaboutjazz-com/

“Thank you. I guess a fellow like me has to die to get voted in by the writers.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

In Cooperstown, New York, July 22, 1968, for the annual Hall of Fame Game; replying to a fellow Museum patron (who, upon seeing him photographing various exhibits, had informed Clemente, "Some day they will be taking pictures of your shrine here"), as quoted in "Sidelight on Sports: I Remember Roberto" by Al Abrams, in The Pittsburgh Post-Gazette (Tuesday, January 2, 1973), p. 14
Baseball-related, <big><big>1960s</big></big>, <big>1968</big>

“How I began to write is different than how I became a writer. They are two different things. Many people write but they do not become writers. To become a writer is a job. It involves planning and it affects all parts of your life. Even what you eat—being a writer means not eating food with too much rich sauce to avoid taking a long afternoon nap! It’s like being a professional athlete. And a writer must choose between being a sprinter who writes a book, and being a writer who creates an oeuvre. If you want to create an oeuvre, you have to be careful not to put all your energy into the first book. You have to have a vision for the long term...”

Dany Laferrière (1953) Haitian Canadian novelist and journalist

On how he became a writer in “An Interview with Dany Laferrière” https://www.wordswithoutborders.org/dispatches/article/an-interview-with-dany-laferriere-jessie-chaffee (WWB Daily, 2016)

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Denise Chávez4

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