
1840s, Past and Present (1843)
Preface
1800s, Milton (c. 1809)
1840s, Past and Present (1843)
Source: The Cabinet Council (published 1658), Chapter 25
Fighting the Lamb's War: Skirmishes with the American Empire (1996), p. 202
Context: The Biblical view of the law, the courts, and the state is profoundly radical. The Bible looks upon the state as a kind of rebellious artifice; it is spurious, a human creation in rebellion against God.
In the Old Testament, when the first state is proposed in the person of Saul, the first King of Israel, God tells the prophet Samuel that this project spells rejection of God. The state and its legislature are in rebellion against, or rejection of, God. Its courts are a human fabrication, cannot promote justice and peace; they are founded in violence, and legalize violence.
The state holds together through police power, against the citizenry.
The state, conceived in violence, and backed by violence, will never achieve true peace.
Riemanns geometrische Ideen, ihre Auswirkungen und ihre Verknüpfung mit der Gruppentheorie (1925), as quoted/translated by Erhard Scholz, "Philosophy as a Cultural Resource and Medium of Reflection for Hermann Weyl" (2004)
Book I, Chapter 2, "Some Objections"
Mere Christianity (1952)
Context: The most dangerous thing you can do is to take any one impulse of your own nature and set it up as the thing you ought to follow at all costs. There is not one of them which will not make us into devils if we set it up as an absolute guide. You might think love of humanity in general was safe, but it is not. If you leave out justice you will find yourself breaking agreements and faking evidence in trials "for the sake of humanity", and become in the end a cruel and treacherous man.
“It was men’s ambitions, they said, that had perverted all the arts to ends of gain.”
“The Finder” (p. 56)
Earthsea Books, Tales from Earthsea (2001)
"James Clarence Mangan" (1902) http://andromeda.rutgers.edu/~ehrlich/382/MANGAN1, a lecture on Mangan delivered at the Literary and Historical Society, University College, Dublin (1 February 1902) and printed in the college magazine St. Stephen's
Context: Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.
“We may employ artifice to deceive a rival, anything against our enemies.”
Pour tromper un rival l'artifice est permis; on peut tout employer contres ses ennemis.
As quoted in Dictionary of Quotations from Ancient and Modern English and Foreign Sources (1899) by James Wood
Variant translation: To mislead a rival, deception is permissible; one may use all means against his enemies.
Vol. 1, pp. 4–5
A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day