“If you look at the American army’s counterinsurgency literature (a lot of which is now declassified), it begins with an analysis of the German experience in Europe, written with the cooperation of Nazi officers. Everything is described from the point of view of the Nazis-which techniques for controlling resistance worked, which ones didn’t. With barely a change, that was transmuted into American counterinsurgency literature.”

Speech https://api.parliament.uk/historic-hansard/commons/1938/oct/05/policy-of-his-majestys-government#column_368 in the House of Commons (5 October 1938) against the Munich Agreement
The 1930s

The Rachel Maddow Show, MSNBC (16 March 2009)

"Manufacturing War With Russia" (2019)

"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time
Context: In literature you don't just read one poem or novel after another, but enter into a complete world of which every work of literature forms part. This affects the writer as much as it does the reader.

Source: 1950s–1960s, The Linguistic Sciences and Language Teaching, 1964, p. 1.

Going Steady (1969), Trash, Art and the Movies (February 1969)

Paris Review interview (1986)
Context: Whitman to me is the most fascinating of American poets. Whitman started to write the great poetry from scratch after he had written all that junk for newspapers, the sentimental lyrical poems. All of a sudden he wrote Leaves of Grass. When I was teaching at the University of Nebraska, my friend James Miller was chairman of the English Department. He wrote the first book attempting to make a parallel between the structure of Leaves of Grass and the steps of the mystical experience as in St. John of the Cross. I was completely bowled over by this, not having been able to explain how Whitman came to write “Song of Myself,” which is unlike anything not only in American literature, but unique in all the world. The parallels to it are mystical literature. Miller tried to show that there was actual evidence for this kind of experience, which evidently happens at a particular moment in someone’s life. … When I saw the negative reaction to Whitman with the great ruling critics of the time, I couldn’t believe it. Eliot never really gave up hammering away on Whitman, neither did Pound. Although Pound makes little concessions. Whitman, you know, didn’t have any influence in this country until Allen Ginsberg came along.

Source: The Second Sex

New York Times 16th March 1973.