“Past the flannel plains and the blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the a. m. heat: shattercane, lamb’s-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscatine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother’s soft hand on your cheek.”

Source: Into the Wild

Source: A Portrait of the Artist as a Young Man

Source: The Age of Innocence (1920), Ch. 31

(29th March 1823) Song - What was our parting ?—one wild kiss,
The London Literary Gazette, 1823

The Stolen Child http://poetry.poetryx.com/poems/1695/, st. 1
Crossways (1889)
Variant: Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Source: The Collected Poems of W.B. Yeats
Context: p>Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berries
And of reddest stolen cherries.Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand. </p

Notes Toward a Supreme Fiction (1942), It Must Change

Different Seasons (1982), Rita Hayworth and Shawshank Redemption