
Other Days, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
The last line of each stanza
This is often attributed to T. S. Eliot, who does indeed quote it in The Waste Land
Prothalamion (1596)
Other Days, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Song Morning Please Don't Come.
“My idea in "My Sweet Lord," because it sounded like a "pop song," was to sneak up on them a bit.”
Interview with Mukunda Goswami (4 September 1982)
Context: My idea in "My Sweet Lord," because it sounded like a "pop song," was to sneak up on them a bit. The point was to have the people not offended by "Hallelujah," and by the time it gets to "Hare Krishna," they're already hooked, and their foot's tapping, and they're already singing along "Hallelujah," to kind of lull them into a sense of false security. And then suddenly it turns into "Hare Krishna," and they will all be singing that before they know what's happened, and they will think, "Hey, I thought I wasn't supposed to like Hare Krishna!"
“Sweet are the pleasures that to verse belong,
And doubly sweet a brotherhood in song.”
"To George Felton Mathew" http://www.bartleby.com/126/11.html (November 1815)
“Ah me, but where are now the songs I sang
When life was sweet because you call’d them sweet?”
Source: Poems of Christina Rossetti
The Anthem of Humanity
The Vision: Reflections on the Way of the Soul (1994)
Context: I have existed from all eternity and, behold, I am here; and I shall exist till the end of time, for my being has no end.
I soared into limitless space and took wing in the imaginal world, approaching the circle of exalted light; and here I am now, mired in matter.
I listened to the teachings of Confucius, imbibed the wisdom of Brahma, and sat beside Buddha beneath the tree of insight. And now I am here, wrestling with ignorance and unbelief. I was on Sinai when Yahweh shed his effulgence on Moses; at the River Jordan I witnessed the miracles of the Nazarene; and in Medina I heard the words of the Messenger to the Arabs. And here I am now, a captive of confusion.
“Awake,
Voice of sweet song! awake, my heart, awake!
Green vales and icy cliffs, all join my hymn.”
"Hymn in the Vale of Chamouni" (1802)
Context: Awake, my soul! not only passive praise
Thou owest! not alone these swelling tears,
Mute thanks and secret ecstasy. Awake,
Voice of sweet song! awake, my heart, awake!
Green vales and icy cliffs, all join my hymn.