“I want to work. It is an obsession. I am gnawed at the heart by an excruciating desire to manipulate color... I see figures, with an incredible intensity, pass before my eyes. Let us analyze this – if it is possible to toss it. Why do you no longer work? Why work again? Faith has left me – the habit of putting myself into the background, has done the rest. Am I a true artist? Yes, yes, yes. Am I a woman? Alas. Yes, yes, yes. Are the two [very probably Jawlensky & Marinanne] able to work as a pair? No, no, no. Who will take up the desires -?... The work of my life, this talent [Jawlensky] that I protect with all my interest, with all my affection, it must be alone in the dwelling. Reason says, calm yourself. But the great passion in me, and my call to work, destroys all the calm acquisitions of my life.”

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

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Marianne von Werefkin 28
expressionist painter 1860–1938

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