
“We all laugh and cough with the same language and will die with the same language as well!”
Quoted in Humor & Caricature (June 1995), p. 3
The Pleasure of the Text (1975)
“We all laugh and cough with the same language and will die with the same language as well!”
Quoted in Humor & Caricature (June 1995), p. 3
Fälle, in denen mehrere Nationen eine Sprache sprechen, werden in der Sprachwissenschaft als plurizentrische Sprachen behandelt.
[Kordić, Snježana, w:Snježana Kordić, Snježana Kordić, Moderne Nationalbezeichnungen und Texte aus vergangenen Jahrhunderten, Zeitschrift für Balkanologie, 46, 1, 41, 2010, http://www.zeitschrift-fuer-balkanologie.de/index.php/zfb/article/view/222/222, 0044-2356] (in German)
Prologue as translated in Readings in European History, Vol. I (1904) edited by James Harvey Robinson, p. 450
Sic et Non (1120)
Context: There are many seeming contradictions and even obscurities in the innumerable writings of the church fathers. Our respect for their authority should not stand in the way of an effort on our part to come at the truth. The obscurity and contradictions in ancient writings may be explained upon many grounds, and may be discussed without impugning the good faith and insight of the fathers. A writer may use different terms to mean the same thing, in order to avoid a monotonous repetition of the same word. Common, vague words may be employed in order that the common people may understand; and sometimes a writer sacrifices perfect accuracy in the interest of a clear general statement. Poetical, figurative language is often obscure and vague.
Not infrequently apocryphal works are attributed to the saints. Then, even the best authors often introduce the erroneous views of others and leave the reader to distinguish between the true and the false. Sometimes, as Augustine confesses in his own case, the fathers ventured to rely upon the opinions of others.
Quote of Caroline Tisdall, 1979, p. 210; as cited in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 180
1970's