“How often does it happen that an obscure line finds its way into a periodical… is requoted in every book that comes out during the next three months, and "sleeps again!"”

Die nächste Flut verwischt den Weg im Watt,
und alles wird auf allen Seiten gleich;
die kleine Insel draußen aber hat
die Augen zu; verwirrend kreist der Deich<p>um ihre Wohner, die in einem Schlaf
geboren werden, drin sie viele Welten
verwechseln schweigend, denn sie reden selten,
und jeder Satz ist wie ein Epitaph
Die Insel I (The Island I) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

Le remords s'endort durant un destin prospère et s'aigrit dans l'adversité.
Variant translations: Remorse sleeps during prosperity but awakes bitter consciousness during adversity.
Remorse goes to sleep during a prosperous period and wakes up in adversity.
Source: Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), Books II-VI, II

Ron English's Fauxlosophy (2016)

Source: The Witch Of Portobello

Source: The Last Years of a Rebel (1967), p. 24

Être votre voisin, c&#x27;est comme dormir avec un éléphant; quelque douce et placide que soit la bête, on subit chacun de ses mouvements et de ses grognements. <br class="br">Addressing the Press Club in Washington, D.C. (25 March 1969) - Audio clip https://en.wikipedia.org/wiki/File:Trudeau_sleeping_with_an_elephant.ogg

Newspaper interview (1902), when asked what qualities a politician required, Halle, Kay, Irrepressible Churchill. Cleveland: World, 1966. cited in Churchill by Himself (2008), ed. Langworth, PublicAffairs, p. 489 ISBN 1586486381
Early career years (1898–1929)

p. 129 http://books.google.com/books?id=KsI3sswEg14C&amp;pg=PA129&amp;dq=%22if+every+trace+of+any+single+religion%22 <br class="br">2010s, God, No!: Signs You May Already Be an Atheist and Other Magical Tales (2011)

"A note about this book, February 12, 2004"
Down and Out in the Magic Kingdom (2003)
Context: I released this book a little over a year ago under the terms of a Creative Commons license that allowed my readers to freely redistribute the text without needing any further permission from me. In this fashion, I enlisted my readers in the service of a grand experiment, to see how my book could find its way into cultural relevance and commercial success. The experiment worked out very satisfactorily.
When I originally licensed the book under the terms set out in the next section, I did so in the most conservative fashion possible, using CC's most restrictive license. I wanted to dip my toe in before taking a plunge. I wanted to see if the sky would fall: you see writers are routinely schooled by their peers that maximal copyright is the only thing that stands between us and penury, and so ingrained was this lesson in me that even though I had the intellectual intuition that a "some rights reserved" regime would serve me well, I still couldn't shake the atavistic fear that I was about to do something very foolish indeed.
It wasn't foolish.