“If a person holds no ambitions in this world, he suffers unknowingly. If a person holds ambitions, he suffers knowingly, but very slowly.”
Source: Einstein's Dreams
Help us to complete the source, original and additional information
Alan Lightman 18
Physicist, science writer, essayist, novelist 1948Related quotes

“Your imagination is notoriously poor. Not everyone holds identical ambitions to your own!”
Book 2, Chapter 4 (p. 560)
The Dragon in the Sword (1986)

Source: Peace Is Every Step: The Path of Mindfulness in Everyday Life

Address to the European Parliament (2015)
Context: People thrive where there is mutual respect. Civilisation is built on it. Futures are better for it.
But co-existence must be made, and made again, in every generation. The common good is defended only by vigilance and action. This means more than security measures. Humanity must arm itself with ideas, with justice and with economic and social inclusion.
Today, these challenges have special importance. Our world faces an assault by terrorists with ruthless ambition. The motive is not faith, it is power; power pursued by ripping countries and communities apart in sectarian conflicts, and inflicting suffering across the world.

Source: Letter to Lord John Manners, referring to the tactics of Prime Minister Sir Robert Peel (17 December 1846), cited in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield (Vol. 2) (1913), p. 337-338.

Vague Thoughts On Art (1911)
Context: He is but a poor philosopher who holds a view so narrow as to exclude forms not to his personal taste. No realist can love romantic Art so much as he loves his own, but when that Art fulfils the laws of its peculiar being, if he would be no blind partisan, he must admit it. The romanticist will never be amused by realism, but let him not for that reason be so parochial as to think that realism, when it achieves vitality, is not Art. For what is Art but the perfected expression of self in contact with the world; and whether that self be of enlightening, or of fairy-telling temperament, is of no moment whatsoever. The tossing of abuse from realist to romanticist and back is but the sword-play of two one-eyed men with their blind side turned toward each other. Shall not each attempt be judged on its own merits? If found not shoddy, faked, or forced, but true to itself, true to its conceiving mood, and fair-proportioned part to whole; so that it lives — then, realistic or romantic, in the name of Fairness let it pass! Of all kinds of human energy, Art is surely the most free, the least parochial; and demands of us an essential tolerance of all its forms. Shall we waste breath and ink in condemnation of artists, because their temperaments are not our own?