
My Heart Leaps Up When I Behold, (1802); the last three lines of this form the introductory lines of the long Ode: Intimations of Immortality from Recollections of Early Childhood begun the next day.
My Heart Leaps Up When I Behold, (1802)
The last three lines of this form the introductory lines of the long Ode: Intimations of Immortality from Recollections of Early Childhood begun the next day.
Context: My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the Man;
And I could wish my days to be
Bound each to each by natural piety.
My Heart Leaps Up When I Behold, (1802); the last three lines of this form the introductory lines of the long Ode: Intimations of Immortality from Recollections of Early Childhood begun the next day.
Being Peace (2005)
Context: Children understand very well that in each woman, in each man, in each child, there is capacity of waking up, of understanding, and of loving. Many children have told me that they cannot show me anyone who does not have this capacity. Some people allow it to develop, and some do not, but everyone has it. This capacity of waking up, of being aware of what is going on in your feelings, in your body, in your perceptions, in the world, is called Buddha nature, the capacity of understanding and loving. Smiling is very important. If we are not able to smile, then the world will not have peace. It is not by going out for a demonstration against nuclear missiles that we can bring about peace. It is with our capacity of smiling, breathing, and being peace that we can make peace.
Notes of August 1842, published in Charles Kingsley : His Letters and Memories of His Life (1883) edited by Frances Eliza Grenfell Kingsley, p. 65.
Chagall stated this in 1950
as quoted in From Rebel to Rabbi: Reclaiming Jesus and the Making of Modern Jewish Culture, Matthew B. Hoffman; Stanford University Press, 2007, p. 219
after 1930
1940s, "Autobiographical Notes" (1949)
Context: A wonder of such nature I experienced as a child of 4 or 5 years, when my father showed me a compass. That this needle behaved in such a determined way did not at all fit into the nature of events, which could find a place in the unconscious world of concepts (effect connected with direct "touch"). I can still remember—or at least believe I can remember—that this experience made a deep and lasting impression upon me. Something deeply hidden had to be behind things. What man sees before him from infancy causes no reaction of this kind; he is not surprised over the falling of bodies, concerning wind and rain, nor concerning the moon or about the fact that the moon does not fall down, nor concerning the differences between living and non-living matter.
At the age of 12 I experienced a second wonder of a totally different nature: in a little book dealing with Euclidean plane geometry, which came into my hands at the beginning of a schoolyear. Here were assertions, as for example the intersection of the three altitudes of a triangle in one point, which—though by no means evident—could nevertheless be proved with such certainty that any doubt appeared to be out of the question. This lucidity and certainty made an indescribable impression upon me. That the axioms had to be accepted unproved did not disturb me. In any case it was quite sufficient for me if I could peg proofs upon propositions the validity of which did not seem to me to be dubious.
Gakumon no Susume [An Encouragement of Learning] (1872–1876).
Context: Each individual man and each individual country, according to the principles of natural reason, is free from bondage. Consequently, if there is some threat that might infringe upon a country’s freedom, then that country should not hesitate even to take up arms against all the countries of the world.
On her song "Running Up That Hill (A Deal with God)", in a Radio 1 Classic Albums interview with Richard Skinner (26 January 1992) http://gaffa.org/cloud/music/running_up_that_hill.html
Context: I was trying to say that, really, a man and a woman, can't understand each other because we are a man and a woman. And if we could actually swap each other's roles, if we could actually be in each other's place for a while, I think we'd both be very surprised! … And I think it would lead to a greater understanding. And really the only way I could think it could be done was either... you know, I thought a deal with the devil, you know. And I thought, "well, no, why not a deal with God!" You know, because in a way it's so much more powerful the whole idea of asking God to make a deal with you. You see, for me it is still called "Deal With God", that was its title. But we were told that if we kept this title that it would not be played in any of the religious countries, Italy wouldn't play it, France wouldn't play it, and Australia wouldn't play it! Ireland wouldn't play it, and that generally we might get it blacked purely because it had God in the title.
On winning the Nobel Prize, TIME magazine (16 October 1978)