Introduction
Misquoting Jesus (2005)
Context: It is one thing to say that the originals were inspired, but the reality is that we don't have the originals—so saying they were inspired doesn't help me much, unless I can reconstruct the originals. Moreover, the vast majority of Christians for the entire history of the church have not had access to the originals, making their inspiration something of a moot point. Not only do we not have the originals, we don't have the first copies of the originals. We don't even have copies of the copies of the originals, or copies of the copies of the copies of the originals. What we have are copies made later—much later. In most instances, they are copies made many centuries later. And these copies all differ from one another, in many thousands of places. As we will see later in this book, these copies differ from one another in so many places that we don't even know how many differences there are. Possibly it is easiest to put it in comparative terms: there are more differences among our manuscripts than there are words in the New Testament.
“An original artist is unable to copy. So he has only to copy in order to be original.”
Le Coq et l’Arlequin (1918)
Help us to complete the source, original and additional information
Jean Cocteau 123
French poet, novelist, dramatist, designer, boxing manager … 1889–1963Related quotes
Original text: On voit que l'histoire est une galerie de tableaux où il y a peu d'originaux et beaucoup de copies.
Variant translation: History is a gallery of pictures in which there are few originals and many copies.
Old Regime (1856), p. 88 http://books.google.com/books?id=N50aibeL8BAC&pg=PA88&vq=%22history,+it+is+easily+perceived%22&source=gbs_search_r&cad=1_1
1850s and later
“Try now to answer my third riddle. By what rule to you tell a copy from an original?”
Pilgrim’s Regress 52
The Pilgrim's Regress (1933)
“Bad artists copy. Good artists steal.”
Compare: "Immature poets imitate; mature poets steal." T. S. Eliot, in Philip Massinger, in The Sacred Wood (1920)
Disputed
Variant: Good artists copy, great artists steal.
“Good artists copy; great artists steal.”
This is a favorite phrase of Jobs, but he is (mis)quoting Pablo Picasso. "Lesser artists borrow; great artists steal" is similarly attributed to Igor Stravinsky, but both sayings may well originate in T. S. Eliot's dictum http://en.wikisource.org/wiki/The_Sacred_Wood/Philip_Massinger: "Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different than that from which it is torn."
Misattributed
“Good artists copy, great artists steal.”
Compare: "Immature poets imitate; mature poets steal." T. S. Eliot, in Philip Massinger, in The Sacred Wood (1920)
Disputed