
Source: Take The Risk (2008), p. 36
Source: Dirk Gently's Holistic Detective Agency
Source: Take The Risk (2008), p. 36
The Fountainhead (1943).
Source: Atlas Shrugged
Context: That particular sense of sacred rapture men say they experience in contemplating nature- I've never received it from nature, only from. Buildings, Skyscrapers. I would give the greatest sunset in the world for one sight of New York's skyline. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need? And then people tell me about pilgrimages to some dank pest-hole in a jungle where they go to do homage to a crumbling temple, to a leering stone monster with a pot belly, created by some leprous savage. Is it beauty and genius they want to see? Do they seek a sense of the sublime? Let them come to New York, stand on the shore of the Hudson, look and kneel. When I see the city from my window - no, I don't feel how small I am - but I feel that if a war came to threaten this, I would like to throw myself into space, over the city, and protect these buildings with my body.
Sons Come and Go, Mothers Hang in Forever (1976)
Context: Jesus never said anything about absurdity, and he never indicated for one flash of time that he was aware of the preposterousness of his theory about himself. And he didn't even try to make the theory understandable in terms of the reality and experience of the rest of us. For if everybody else is also not what Jesus said he was, what good is what he said?
At that moment . . . Jackson Pollock was crossing the street.
Quoted in in "AMERICAN SUBLIME : Morton Feldman's mysterious musical landscapes", by Alex Ross. in The New Yorker (19 June 2006)
Source: All the Pretty Horses (1992)
Context: He thought he'd be an object of some curiosity but the people he saw only nodded gravely to him and passed on. He carried the bucket back into the store and went down the street to where there was a small cafe and he entered and sat at one of the three small wooden tables. The floor of the cafe was packed mud newly swept and he was the only customer. He stood the rifle against the wall and ordered huevos revueltos and a cup of chocolate and he sat and waited for it to come and then he ate very slowly. The food was rich to his taste and the chocolate was made with canela and he drank it and ordered another and folded a tortilla and ate and watched the horses standing in the square across the street and watched the girls. They'd hung the gazebo with crepe and it looked like a festooned brush-pile. The proprietor showed him great courtesy and brought him fresh tortillas hot from the comal and told him that there was to be a wedding and that it would be a pity if it rained. He inquired where he might be from and showed surprise he'd come so far. He stood at the window of the empty cafe and watched the activities in the square and he said that it was good that God kept the truths of life from the young as they were starting out or else they'd have no heart to start at all.