Source: The Roominghouse Madrigals: Early Selected Poems, 1946-1966
“I'm not interested in being a "lover." I'm interested in only being love.”
1950's
Source: Conversations with Artists, Selden Rodman, New York Devin-Adair 1957. p. 93.; reprinted as 'Notes from a conversation with Selden Rodman, 1956', in Writings on Art: Mark Rothko (2006) ed. Miguel López-Remiro p. 119 books.google http://books.google.de/books?id=ZdYLk3m2TN4C&pg=PA119
Context: I am not an abstractionist... I am not interested in the relationships of color or form or anything else... I'm interested only in expressing basic human emotions — tragedy, ecstasy, doom and so on — and the fact that a lot of people break down and cry when confronted with my pictures show that I communicate those basic human emotions... The people who weep before my pictures are having the same religious experience I had when I painted them. And if you, as you say, are moved only by their color relationships, then you miss the point!
“I'm only interested in stories that are about the crushing of the human heart.”
“I'm only interested in people engaged in a project of self-transformation.”
“Schizophrenic language has in this sense an interesting resemblance to poetry.”
Source: 1980s, Literary Theory: An Introduction (1983), Chapter 5, p. 138
“Poetry can be criticized only through poetry.”
“Selected Aphorisms from the Lyceum (1797)”, Dialogue on Poetry and Literary Aphorisms, Ernst Behler and Roman Struc, trans. (Pennsylvania University Press:1968) #117
Context: Poetry can be criticized only through poetry. A critique which itself is not a work of art, either in content as representation of the necessary impression in the process of creation, or through its beautiful form and in its liberal tone in the spirit of the old Roman satire, has no right of citizenship in the realm of art.
