“Only the foolish, blinded by language's conventions, think of fire as red or gold. Fire is blue at it's melancholy rim, green in it's envious heart. It may burn white, or even, in it's greatest rages, black.”

Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Only the foolish, blinded by language's conventions, think of fire as red or gold. Fire is blue at it's melancholy rim,…" by Salman Rushdie?
Salman Rushdie photo
Salman Rushdie 122
British Indian novelist and essayist 1947

Related quotes

Arthur Rimbaud photo

“Black A, white E, red I, green U, blue O: vowels,
Someday I shall recount your latent births.”

A noir, E blanc, I rouge, U vert, O bleu: voyelles,
Je dirai quelque jour vos naissances latentes !
Voyelles http://www.mag4.net/Rimbaud/poesies/Vowels.html (Vowels (1871)

Anna Akhmatova photo

“You will hear thunder and remember me,
And think: she wanted storms. The rim
Of the sky will be the colour of hard crimson,
And your heart, as it was then, will be on fire.”

Anna Akhmatova (1889–1966) Russian modernist poet

"You will hear thunder and remember me...", translated by D. M. Thomas
There will be thunder then. Remember me.
Say 'She asked for storms.' The entire
world will turn the colour of crimson stone,
and your heart, as then, will turn to fire.
"Thunder," translated by A.S.Kline
Source: The Complete Poems of Anna Akhmatova

Walther von der Vogelweide photo

“The world is beautiful outside: white, green, and red; but inside it is black and dark as death.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Diu welt ist ûzen schoene wîz grüen unde rôt
und innân swarzer varwe vinster sam der tôt.
"Owe war sint verswunden alliu mîniu jâr", line 37; translation from George Fenwick Jones Walther von der Vogelweide (New York: Twayne, 1968) p. 136.

Joseph Stella photo
Georges Seurat photo

“.. the flag is green with a red spot in the center; above, the blue of the sky, the orange-tinted white of the walls, and the orange-grey of the clouds.”

Georges Seurat (1859–1891) French painter

short notation, 1881: from 'Notes inedites de Seurat sur Delacroix', in 'Bulletin de la Vie Artistique', April 1922; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 6 - note 9
Seurat studied carefully the paintings of Eugene Delacroix, and wrote in 1881 about Delacroix's painting 'The Fanatics of Tangier' https://upload.wikimedia.org/wikipedia/commons/a/a0/Eug%C3%A8ne_Delacroix_-_The_Fanatics_of_Tangier_-_WGA06195.jpg this notation
Quotes, 1881 - 1890

Janet Jackson photo

“Like a moth to a flame
Burned by the fire.
My love is blind
Can't you see my desire?”

Janet Jackson (1966) singer from the United States

That's the Way Love Goes
janet. (1993)

Samuel Butler (poet) photo

“Love in your hearts as idly burns
As fire in antique Roman urns.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto I, line 309
Source: Hudibras, Part II (1664)

Beverly Jenkins photo

“I enjoy all the different levels of engagement. Whether it’s going to be a slow burn or an instant, raging forest fire depends on the story…”

Beverly Jenkins (1951) American author of historical and contemporary romance novels

On writing about various types of relationships in “Interviews: Beverly Jenkins” https://bookpage.com/interviews/24085-beverly-jenkins-romance#.Xflpo-lKjcs in BookPage (2019 May 28)

Marianne von Werefkin photo

“.. upon the frightening gray sky one can see a black mountain, completely black even with black houses, and all of a sudden a fire-red house appears, a violet path with snowflakes and on the path a black chain of people like crows.”

Marianne von Werefkin (1860–1938) expressionist painter

Quote from Werefkin's letter to Alexej von Jawlensky, 1910 Lithuanian Martynas-Mazvydas-National Library, Vilnius, RS (F19-1458,1.31) as reprinted in Weidle, Marianne Werefkin, Die Farbe beisst mich ans Herz, 108; as quoted in 'Identity and Reminiscence in Marianne Werefkin's Return Home', c. 1909; Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909
1906 - 1911

Related topics