“The past is no further away than the last breath you took.”

—  Robin Hobb , book Fool's Errand

Source: Fool's Errand

Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The past is no further away than the last breath you took." by Robin Hobb?
Robin Hobb photo
Robin Hobb 76
American fiction writer (pseudonym) 1952

Related quotes

Robin Hobb photo
Sherrilyn Kenyon photo
Holly Black photo
George Strait photo

“Life is not breaths you take, but the moments that take your breath away.”

George Strait (1952) American country music singer, actor and music producer

Variant: Life is not the breaths you take but the moments that take your breath away.

Theo Walcott photo

“I trained with the lad last season at Southampton for two or three weeks. In all the years I played there was never anything I saw on a training pitch that took my breath away, but he was doing things on the pitch that made me stand up and say 'Wow'. He could go on and make a better player than Wayne Rooney.”

Theo Walcott (1989) English association football player

Matt Le Tissier, former England footballer, 2006 ( Source http://www.dailymail.co.uk/pages/live/articles/sport/football.html?in_article_id=400107&in_page_id=1779)
About

George William Russell photo

“I saw how all the trembling ages past,
Moulded to her by deep and deeper breath,
Neared to the hour when Beauty breathes her last
And knows herself in death.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

John Ross Macduff photo
Clive Barker photo
Simone de Beauvoir photo

“We must not confuse the present with the past. With regard to the past, no further action is possible.”

Pt. III : The Positive Aspect of Ambiguity http://www.marxists.org/reference/subject/ethics/de-beauvoir/ambiguity/ch03.htm#s2, Ch. 1 : The Aesthetic Attitude
The Ethics of Ambiguity (1947)
Context: We must not confuse the present with the past. With regard to the past, no further action is possible. There have been war, plague, scandal, and treason, and there is no way of our preventing their having taken place; the executioner became an executioner and the victim underwent his fate as a victim without us; all that we can do is to reveal it, to integrate it into the human heritage, to raise it to the dignity of the aesthetic existence which bears within itself its finality; but first this history had to occur: it occurred as scandal, revolt, crime, or sacrifice, and we were able to try to save it only because it first offered us a form. Today must also exist before being confirmed in its existence: its destination in such a way that everything about it already seemed justified and that there was no more of it to reject, then there would also be nothing to say about it, for no form would take shape in it; it is revealed only through rejection, desire, hate and love. In order for the artist to have a world to express he must first be situated in this world, oppressed or oppressing, resigned or rebellious, a man among men. But at the heart of his existence he finds the exigency which is common to all men; he must first will freedom within himself and universally; he must try to conquer it: in the light of this project situations are graded and reasons for acting are made manifest.

Related topics