“My ideas hang on me like outsize clothes into which I still have to grow. My mind lags behind my intuition.”

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Etty Hillesum photo
Etty Hillesum 28
Jewish diarist 1914–1943

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“My Minde to Me a Kindome Is;
Such present joys therein I find,
That it excels all other bliss
That earth affords or grows by kind:
Though much I want which most would have,
Yet still my mind forbids to crave.”

Edward Dyer (1543–1607) courtier

MS. Rawl 85 (1588), p. 17. A very similar but anonymous copy is in the British Museum. Additional MS. 15225, p. 85. And there is an imitation in J. Sylvester’s Works, p. 651, Hannah, Courtly Poets. Compare:
My mind to me a kingdom is;
Such perfect joy therein I find,
As far exceeds all earthly bliss
That God and Nature hath assigned.
Though much I want that most
would have,
Yet still my mind forbids to crave.
Byrd: Psalmes, Sonnets, etc. 1588.
My mind to me an empire is,
While grace affordeth health.
Robert Southwell (1560–1595), Loo Home.
"Mens regnum bona possidet" (translated as "A good mind possesses a kingdom"), Seneca, Thyestes, ii. 380.

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“My mind to me a kingdom is;
Such perfect joy therein I find
That it excels all other bliss
That world affords or grows by kind.
Though much I want which most men have,
Yet still my mind forbids to crave.”

Edward de Vere, 17th Earl of Oxford (1550–1604) English peer and courtier of the Elizabethan era

Attributed to Oxford by May, but also published as the work of Edward Dyer.
Poems, Attributed

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“I hang onto my prejudices, they are the testicles of my mind.”

Eric Hoffer (1898–1983) American philosopher

Source: Before the Sabbath (1979), p. 79

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“In my mind, there is still the idea of ​​fraternity in the Bible.”

Soong Ching-ling (1893–1981) Sun Yat-Sen's wife, Honorary President of the People's Republic of China (1893-1981)

In a letter written to her Japanese friend Fumiko Niki in 1978, 宋慶齡基督教思想之演變 https://exchristian.hk/wiki/doku.php/%E5%AE%8B%E6%85%B6%E9%BD%A1%E7%94%9F%E5%B9%B3%E4%B8%80%E7%94%9F%E6%B7%B1%E5%8F%97%E5%9F%BA%E7%9D%A3%E4%BF%A1%E4%BB%B0%E5%BD%B1%E9%9F%BF

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“Sometimes in my very happiest moments, I feel like crying. My eyes grow dim, my heart seems to choke me. I would like to be sure, in such times of anguish, that everybody loves me; that there is nowhere in the world a sad dog behind a closed door, that no evil will ever come…”

Colette (1873–1954) 1873-1954 French novelist: wrote Gigi

Barks and Purrs
Context: Toby-Dog: It seems to me that of the two of us it's you they make the most of, and yet you do all the grumbling.
Kiki-The-Demure: A dog's logic, that! The more one gives the more I demand.
Toby-Dog: That's wrong. It's indiscreet.
Kiki-The-Demure: Not at all. I have a right to everything.
Toby-Dog: To everything? And I?
Kiki-The-Demure: I don't imagine you lack anything, do you?
Toby-Dog: Ah, I don't know. Sometimes in my very happiest moments, I feel like crying. My eyes grow dim, my heart seems to choke me. I would like to be sure, in such times of anguish, that everybody loves me; that there is nowhere in the world a sad dog behind a closed door, that no evil will ever come...
Kiki-The-Demure: And then what dreadful thing happens?
Toby-Dog: You know very well! Inevitably, at that moment She appears, carrying a bottle with horrible yellow stuff floating in it — Castor Oil!

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“My convictions have validity for me because I have experimented with the compounds of ideas of others in the laboratory of my mind. And I've tested the results in the living out of my life.”

Robert Fulghum (1937) American writer

Words I Wish I Wrote (1997)
Context: My convictions have validity for me because I have experimented with the compounds of ideas of others in the laboratory of my mind. And I've tested the results in the living out of my life. At twenty-one, I had drawn an abstract map based on the evidence of others. At sixty, I have accumulated a practical guide grounded in my own experience. At twenty-one, I could discuss transportation theory with authority. At sixty, I know which bus to catch to go where, what the fare is, and how to get back home again. It is not my bus, but I know how to use it.

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“From Alan, I learned to take a more instinctive and intuitive approach to pencil work. I used to let my mind get far too far ahead of my pencil, which can be productive, but removes the serendipitous switch of direction when the pencil and hand discover an idea the mind’s eye had missed.”

John Howe (illustrator) (1957) Canadian illustrator

On Alan Lee
In the Artist's Studio interview (2010)
Context: From Alan, I learned to take a more instinctive and intuitive approach to pencil work. I used to let my mind get far too far ahead of my pencil, which can be productive, but removes the serendipitous switch of direction when the pencil and hand discover an idea the mind’s eye had missed. Drawing at the right speed is a sort of graphic contrapposto providing what I’d be tempted to call an “intuitional resilience” unobtainable with more energetic methods. I very much enjoyed working with him, a situation of symbiosis between enthusiasm and despair, the former because his work is just so good, the latter because his work is just so good. He is hard to keep up with, but then I believe he says the same of me. He is a dear friend and a wonderful artist.

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