“Who could follow Carson? Well, believe me, somebody can — and will.”

Source: Dash & Lily's Book of Dares

Source: Just Listen

In My Dreams

Source: Dead to the World

"Badlands"
Song lyrics, Darkness on the Edge of Town (1978)

Here Comes There Goes You Know Who (1961)
Context: I believed from the beginning of remembered experience that I was somebody with an incalculable potential for enlargement, somebody who both knew and could find out, upon whom demands could be made with the expectation of having them fulfilled.
I felt at the same time, and pretty much constantly, that I was nothing in relation to Enormity, the Unknown, and the Unknowable. I was too vulnerable, too lacking in power, a thing of subtle reality, liable to be blown away without a moment's warning, a migrant with no meaning, no guide, no counsel, an entity in continuous transition, a growing thing whose stages of growth always went unnoticed, a fluid and flawed thing. Thus, there could be no extreme vanity in my recognition of myself, if in fact there could be any at all. I did frequently rejoice in the recognition, but I may have gotten that from some of the Protestant hymns I had heard, and knew, and had sung, such as Joy to the World. The simple fact was that if the song wasn't about me, I couldn't see how it could possibly be about anybody else, including the one I knew it was supposed to be about, and good luck to him, too.

Speech at Anderson College in Anderson, Indiana (4 March 1979), quoted in Psychology Through the Eyes of Faith (1987) by David G. Myers and Malcolm A. Jeeves. The first sentence is a modification of a quote by Napoleon Hill: "Whatever the mind of man can conceive and believe, it can achieve."