Source: Designing Social Systems in a Changing World (1996), p. 231; About the essence of the design community
“Nature herself supplies us with an ascending scale or Alphabet of angles for half a degree up to 60 degrees, Specimens of which are placed in every Elementary School throughout the land. Owing to occasional retrogressions, to still more frequent moral and intellectual stagnation, and to the extraordinary fecundity of the Criminal and Vagabond Classes, there is always a vast superfluity of individuals of the half degree and single degree class, and a fair abundance of Specimens up to 10 degrees. These are absolutely destitute of civic rights; and a great number of them, not having even intelligence enough for the purposes of warfare, are devoted by the States to the service of education. Fettered immovably so as to remove all possibility of danger, they are placed in the class rooms of our Infant Schools, and there they are utilized by the Board of Education for the purpose of imparting to the offspring of the Middle Classes that tact and intelligence of which these wretched creatures themselves are utterly devoid.”
Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 5. Of Our Methods of Recognizing One Another
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Edwin Abbott Abbott 87
British theologian and author 1838–1926Related quotes
Source: Tristes Tropiques (1955), Chapter 9 : Guanabara, p. 86
Context: Not only does a journey transport us over enormous distances, it also causes us to move a few degrees up or down in the social scale. It displaces us physically and also — for better or for worse — takes us out of our class context, so that the colour and flavour of certain places cannot be dissociated from the always unexpected social level on which we find ourselves in experiencing them.
“Stop measuring days by degree of productivity and start experiencing them by degree of presence.”
As quoted in "TV and Classroom Physicist : 'Professor Wonderful,' Julius Sumner Miller, Dies" by Gerald Faris, in The Los Angeles Times (16 April 1987)
cited by Timothy Mitchell, (September 1984), in 'Caspar David Friedrich's Der Watzmann: German Romantic Landscape Painting and Historical Geology', 'The Art Bulletin', 66 (3), p. 452–464, doi:10.2307/3050447, JSTOR 3050447
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