“.. to express himself well, the artist should be hidden... The trouble is that if an artist knows he has genius, he's done for. The only salvation is to work like a labourer, and not have delusions of grandeur.”
Quoted in: Raymond Durgnat (1974) Jean Renoir: Raymond Durgnat, p. 370
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Pierre-Auguste Renoir44
French painter and sculptor 1841–1919Related quotes
Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism
Source: 1840s, Two Ethical-Religious Minor Essays (1849), P. 108
Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker
quote of 1921; de:Louis de Marsalle, in 'Uber Kirchners Graphik', Genius 3, no. 2, p. 252; as quoted in 'The Revival of Printmaking in Germany', by I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40
1920's
David Hockney (1937) British artist
Interview with Mark Feeney, "David Hockney keeps seeking new avenues of exploration," Boston Globe (26 February 2006)
2000s
Ford Madox Ford (1873–1939) English writer and publisher
"Literary Portraits. VIII - Mr. Joseph Conrad," in The Tribune (1907-09-14)
Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist
'Introduction'
Essays and reviews, Glued to the Box (1983)
Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist
In 1915, w:Otto van Rees, A.C. van Rees, Freundlich, S. Taeuber [his wife] and Arp made an attempt of this sort, as Arp mentioned himself.
Source: 1940s, Abstract Art, Concrete Art (c. 1942), p. 118
Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar
Der Künstler darf eben so wenig herrschen als dienen wollen. 15 Er kann nur bilden, nichts als bilden, für den Staat also nur das thun, dass er Herrscher und Diener bilde, dass er Politiker und Oekonomen zu Künstlern erhebe.
“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 54
Richard M. Weaver (1910–1963) American scholar
“The Importance of Cultural Freedom,” pp. 30-31.
Life Without Prejudice (1965)
W. H. Auden book Forewords and Afterwords
"A Poet of the Actual", p. 265
Forewords and Afterwords (1973)
Context: A craftsman knows in advance what the finished result will be, while the artist knows only what it will be when he has finished it. But it is unbecoming in an artist to talk about inspiration; that is the reader's business.