Quote from an undated letter of Daumier [c. 1850's] to Pierre Véron
Véron was a later editor [1850's] of the Charivari; Daumier is excusing himself for not being able to deliver the lithographic stones as promised because he was ill.
undated quotes
“Paris, 30-7-1843, h. Daumier - I, the undersigned, Honoré Daumier declare to reduce the price of my drawings in lithography, to forty francs the drawing with the condition
1st, that the first 11 stones which I will deliver to 'Charivari' will be paid to me at the old price, that is, fifty francs each.
2° that this reduction will be made to me as long as M Dutacy remains attached to the...'Charivari'; this having been made for the sole purpose of being agreeable to him.”
Quote in a handwritten letter, by Daumier, 30 June, 1843; confirming his agreement with Philipon; from website Daumier http://www.daumier.org/14.0.html#c760
40 Francs for each lithograph; this is one of the few documents, showing the income which Daumier drew from his artistic activity. With this salary he would be able to support a family of four
1840's
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Honoré Daumier 6
French printmaker, caricaturist, painter, and sculptor 1808–1879Related quotes
Quote of Daumier from his handwritten, undated letter, presumably to mr. Deschamps, probably Monday 20 December 1843; from website Daumier http://www.daumier.org/14.0.html#c760
1840's
Diaz to Millet, c. 1845; as quoted by Albert Wolff, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choice of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 20
In Paris Diaz had sold three drawings of his friend Millet for sixty francs, but Millet stayed still thoughtful, for he had to think of the morrow
Quotes of Diaz
Source: 'Kelly in conversation, summers 1985 and 1986'; ed. Diane Upright, "Ellsworth Kelly: Works on Paper", Harry N. Inc., Publishers, New York, in association with the Fort Worth Art Museum, New York, 1987 p. 21
Source: 1981 - 2008, p. 21 : 'Kelly in conversation, summers 1985 and 1986'
1910s
Variant: If my theory of relativity is proven successful, Germany will claim me as a German and France will declare that I am a citizen of the world. Should my theory prove untrue, France will say that I am a German and Germany will declare that I am a Jew. (Address to the French Philosophical Society at the Sorbonne (6 April 1922); French press clipping (7 April 1922) [Einstein Archive 36-378] and Berliner Tageblatt (8 April 1922) [Einstein Archive 79-535])
Variant translation: If my theory of relativity is proven correct, Germany will claim me as a German and France will say I am a man of the world. If it's proven wrong, France will say I am a German and Germany will say I am a Jew.
Variant: If relativity is proved right the Germans will call me a German, the Swiss will call me a Swiss citizen, and the French will call me a great scientist. If relativity is proved wrong the French will call me a Swiss, the Swiss will call me a German and the Germans will call me a Jew.
Context: By an application of the theory of relativity to the taste of readers, today in Germany I am called a German man of science, and in England I am represented as a Swiss Jew. If I come to be represented as a bête noire, the descriptions will be reversed, and I shall become a Swiss Jew for the Germans and a German man of science for the English!
As quoted in Soutine, Monrou Wheeler, Museum of modern art, New York, 1950; p. 37
version in original Dutch (citaat uit de brief van Jozef Israëls in het Nederlands): Het zal u zeker plaisier doen te vernemen dat naar mijn schilderijtje ['Eerste Liefde', c. 1856] welke gij in Rotterdam gezien hebt eene groote lithografie vervaardigd wordt en wel door Heer Mouilleron, Frankrijks eerste lithograaf.. .Hij wordt zeer mooi.
Quote in his letter from Amsterdam, 1857, to publisher in The Hague; from LTK 1795, XIII nr. 140, University Library of Leiden
Mouilleron was making the lithography at the studio of Israëls on the Rozengracht in Amsterdam, under the eyes of the painter himself
Quotes of Jozef Israels, 1840 - 1870