
“In terms of political geography, The French Revolution ended the European Middle Ages.”
Source: The Age of Revolution (1962), Chapter 4, War
Introduction: The Misjudgment of Paris
The Burden of Responsibility: Blum, Camus, Aron, and the French Twentieth Century (1998)
“In terms of political geography, The French Revolution ended the European Middle Ages.”
Source: The Age of Revolution (1962), Chapter 4, War
Source: Seven Great Statesmen in the Warfare of Humanity with Unreason (1915), p. 165
Context: TURGOT... I present today one of the three greatest statesmen who fought unreason in France between the close of the Middle Ages and the outbreak of the French Revolution—Louis XI and Richelieu being the two other. And not only this: were you to count the greatest men of the modern world upon your fingers, he would be of the number—a great thinker, writer, administrator, philanthropist, statesman, and above all, a great character and a great man. And yet, judged by ordinary standards, a failure. For he was thrown out of his culminating position, as Comptroller-General of France, after serving but twenty months, and then lived only long enough to see every leading measure to which he had devoted his life deliberately and malignantly undone; the flagrant abuses which he had abolished restored, apparently forever; the highways to national prosperity, peace, and influence, which he had opened, destroyed; and his country put under full headway toward the greatest catastrophe the modern world has seen.
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Mea culpa; suivi de la vie et l'oeuvre de Semmelweis (1937)
Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public
Escudero, F. [Francis]. (2016, March 8). Retrieved from Official Facebook Page of Francis Escudero https://www.facebook.com/senchizescudero/posts/10153924021225610/
2016, Facebook
As quoted in Funny Ladies : The Best Humor from America's Funniest Women (2001) by Bill Adler, p. 51
Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public
Source: Outlines of a Philosophy of Art, 1925, p. 41